A Quote by Imtiaz Ali
The story of 'Highway' is completely about travel. It is about the fascination of travel to an extent that I don't want to even reach the destination and also being away from society gives you a certain view of the society, so that was the intention of the film.
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Long-term travel isn’t about being a college student; it’s about being a student of daily life. Long-term travel isn’t an act of rebellion against society; it’s an act of common sense within society. Long-term travel doesn’t require a massive “bundle of cash”; it requires only that we walk through the world in a more deliberate way.
Travel magazines are just one cupcake after another. They're not about travel. The travel magazine is, in fact, about the opposite of travel. It's about having a nice time on a honeymoon, or whatever.
But if I get some time off, I want to travel. It's always about travel, about getting away from everything.
I like to do some research and learn about the destination before I travel there. I read up on its history, culture and food, which is most important. Being informed makes the travel so much better.
Every time I travel, I'm in a rage until I reach my destination. I find myself shouting at suitcases, as if it's their fault that I'm an inefficient packer. I've also learnt that whenever you despair of humanity and start thinking that you hate people - as I frequently do - you only have to travel to realise that people are basically all right.
In Japan, there's a TV series called Jin. It deals with time travel. I like stories about time travel. It's a story about people living in modern day that travel back to the Edo era. Those things really interest me.
How can I care about needing a visa to travel if the furthest I'm going to travel is the town centre? For a person to care about Brexit - it's only for people who are in a certain state of mind.
Unlike some of the time-travel movies I love, like 'Primer' or '12 Monkeys,' 'Looper' is not about time travel. It's about this situation that time travel creates and the people dealing with that situation. So narratively, the big challenge was to have time travel get out of the way.
The paradox: there can be no pilgrimage without a destination, but the destination is also not the real point of the endeavor. Not the destination, but the willingness to wander in pursuit characterizes pilgrimage. Willingness: to hear the tales along the way, to make the casual choices of travel, to acquiesce even to boredom. That's pilgrimage -- a mind full of journey.
I work in an old tradition that goes back to the ancient Greeks. You hold a mirror to crime to see what's happening in society. I could never write a crime story just for the sake of it, because I always want to talk about certain things in society.
When you're a kid, I think you want to be a film star. And I'm not as enamoured with that any more. The reality of that life is a lot of travel, and a lot of being away, which is impractical because I have four children, so I don't want to be away that much, not the other side of the world away.
I actually don't have...opinions. I'm not being secretive about anything. I just actually don't have opinions about society. I can discern that certain things have an effect on certain other things but I don't view those effects as good or bad.
Trust me: you make a movie about time travel, and you know for a fact humans will never travel through time. The paradoxes that come up just from trying to tell a story with time travel really illuminates the fact that it's impossible. It will never happen. We can barely get through a movie that involves time travel.
Imagine a society that subjects people to conditions that make them terribly unhappy, then gives them the drugs to take away their unhappiness. Science fiction? It is already happening to some extent in our own society... Instead of removing the conditions that make people depressed, modern society gives them antidepressant drugs. In effect, antidepressants are a means of modifying an individual's internal state in such a way as to enable him to tolerate social conditions that he would otherwise find intolerable.
The pleasure we derive from journeys is perhaps dependent more on the mindset with which we travel than on the destination we travel to.
WWI is a romantic war, in all senses of the word. An entire generation of men and women left the comforts of Edwardian life to travel bravely, and sometimes even jauntily, to almost certain death. At the very least, any story or novel about WWI is about innocence shattered in the face of experience.
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