A Quote by Imtiaz Ali
I used to love Kapil Dev and, like any schoolboy, wanted to become a cricketer till I started dreaming of making movies.
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Only men like Imran Khan, Kapil Dev and Ian Botham can be branded all-rounders.
I was the vice-captain of Government College, Chandigarh, and around the same time, Kapil Dev was also representing his college. I knew his close friend very well, and I really respected his achievements when he started playing for the country.
When you compare the icons of the game, you have Sunil Gavaskar, Kapil Dev, Sachin Tendulkar and Dhoni in the same bracket.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
I concentrated on politics and movies because cricket was taken away from me. But the world knows Sreesanth as a cricketer, and I, too, like to be remembered as a cricketer who gave everything on the field.
I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.
It used to be crazy as I would shoot till 5 A. M. for Kapil's show and then rush to the sets of 'Akbar Birbal' and then finish my dance practice.
What is dreaming, and what happens, and are there any real benefits to dreaming? Well, to take a step back, I think it's important to note that dreaming essentially is a time when we all become flagrantly psychotic.
I started making movies in my late 20s, that time in an artist's career that often sees artists just imitating things that he or she loves. I just wanted to be great like L'Age d'Or vintage Buñuel. I wanted to be Busby Berkeley, for crying out loud! I wanted to have chorus girls stomping their heels in my casting office. I wanted to be Erich Von Stroheim monogramming underwear for extras. So I started off my career doing that, and that was fun, but I realised I wasn't very good at it.
I used to love to go to the movies - I'd see two in a row. A few times I even snuck into the second movie after it started... now that I think about it, that's kind of like shoplifting! Needless to say, I still love going to the movies, but I don't sneak in anymore.
I used to love those movies, back in the day, like 'A Nightmare on Elm Street,' 'Friday the 13th,' 'Rosemary's Baby' and 'The Shining.' I really liked those kind of movies, and I wanted to be a part of one of those kinds of movies.
I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.
I started as - well, I wanted to be Poet Laureate. And I wanted to be a naturalist. That's how I began. I didn't have any desire to go and be a scientist. Louis Leakey channeled me there. I'm delighted he did. I love science. I love analyzing and making sense of all these observations. So, it was the perfect rounding off of who I was into who I am.
The schoolboy counts the time till the return of the holidays; the minor longs to be of age; the lover is impatient till he is married.
Both my parents work in film. They're crew. I love movies, and I just wanted to be involved. I got really lucky. I auditioned for a while and then started making films.
It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
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