A Quote by James Gray
I had written 'Two Lovers' before we started shooting 'We Own the Night.'
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Suddenly, I realized how tough trying to structure a story like this is. It was a lot of work. The one big advantage that we had was that we had eight scripts written before we started shooting, or even started casting. We had a really good opportunity to look at it and figure out where we were going to go and how to do it. Once we got a cast, which I love, then we started doing some revisions to make sure that they fit into it.
I did all my directing when I wrote the screenplay. It was probably harder for a regular director. He probably had to read the script the night before shooting started.
I started shooting pictures because I had all these photographers around me, and life was kind of boring creatively because you play the same songs every night. So I looked for another outlet, and I started shooting.
It is true, Monsieur," Raoule went on, shrugging her shoulders, "that I have had lovers in my life as I have books in my library, to know, to study. But I have had no passion, I have not written my own book yet! I always found myself alone when we were two. One is not weak when one remains master of one's self in the midst of the most stupefying pleasures.
I always get a little anxious like the first day of school when we've had our hiatus and we're coming back, because I think I'm not as insane as I was when we started shooting. I have that anxiety before we start shooting.
The night I was recognized for 'Daughters' at the Grammys was the night this record started. I knew I had bought the time to learn everything I needed before I started this one. 'Continuum' is not a shot in the dark, it's not a guesstimation.
Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"
Fortunately, I come from an activist mother, so I didn't have to rely on the history books. The history books teach us nothing about the Underground Railroad aside from Harriet Tubman. So I knew more about it but, obviously, I had to dig deeper and expand my knowledge and do a lot of research once I took this project on. I had, like, a good two months to research before we started shooting, which isn't a lot, and I continued it throughout the five months of us shooting.
I started working on how I would direct this a year before we started shooting "All We Had" and I was prepping, acting, and directing sort of at the same time. I knew that I didn't want to hold people up on set.
your letters got sadder. your lovers betrayed you. kid, I wrote back, all lovers betray. it didn't help. you said you had a crying bench and it was by a bridge and the bridge was over the river and you sat on the crying bench every night and wept for the lovers who had hurt and forgotten you.
I hadn't read comics really before coming in to shooting the original 'Thor.' During that and beforehand, I read stacks and got my head around it all. We reference, especially when we were putting the script together before we started shooting, other stories.
I flew into a small airport surrounded by cornfields and pastures, ready to carry out the two commands my father had written out for me the night before I left Calcutta: Spend two years studying creative writing at the Iowa Writers Workshop, then come back home and marry the bridegroom he selected for me from our caste and class.
I flew into a small airport surrounded by cornfields and pastures, ready to carry out the two commands my father had written out for me the night before I left Calcutta: Spend two years studying creative writing at the Iowa Writers' Workshop, then come back home and marry the bridegroom he selected for me from our caste and class.
Mississippi Mermaid was a very special experience because we only had the dialogues for the scenes we were shooting the night before.
Lovers lying two and two Ask not whom they sleep beside, And the bridegroom all night through Never turns him to the bride.
There's so much information out there. There are written biographies of Gavaskar and Kapil Dev, there are interviews, and we have had the benefit of meeting these players. There's a physical and psychological aspect, and combining these two is what will help '83' connect with the millenials and cricket lovers.
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