A Quote by James Marsh
For a film to be viable, it has to survive this process of scrutiny. I think most filmmakers have obsessive-compulsive tendencies and would be completely unemployable in any other job - so it's great to be able to channel your psychological anomalies into something productive and creative.
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If I was a complete slacker who was just doing nothing but traveling, I don't know if I would have the discipline to be productive and create this job, and on the other hand, if I was always disciplined and productive, I don't think I would have that mystical connection that lead to great work.
There is no likelihood of our being able to suppress humanity's aggressive tendencies... Complete suppression of man's aggressive tendencies is not an issue; what we may try is to direct it into a channel other than that of warfare.
I'm a writer, so I interview people all the time, and I think of it as being a very creative process. Giving interviews is actually one of the most creative parts of the film promotion process.
I think it's reasonable that the government, when it has a warrant from a court, when it's exposed to scrutiny by a legal process that would be upheld, not just nationally, but internationally as a reliable and robust standard rights protection, they can enjoy certain powers. This is no different from having the police able to get a warrant to go and search your house, to kick at your door because they think you're an arms dealer or something like that. There needs to be a process involved, it needs to be public, and it needs to be challengeable in court at all times.
...when you collaborate with someone else on something creative, you get to places that you would never get to on your own. The way an idea builds as it careens back and forth between good writers is so unpredictable. Sometimes it depends on people misunderstanding each other, and that's why I don't think there's any such thing as a mistake in the creative process. You never know where it might lead.
It could be ventured to understand obsessive compulsive neurosis as the pathological counterpart of religious development, to define neurosis as an individual religiosity; to define religion as a universal obsessive compulsive neurosis.
Be able to take any job that gives you experience on a film. Don't just think that you have to be in one department or the other, because through working on one and seeing what other people do in the movie makes you realize what your role is if you become a costume designer.
As an actor, I don't have any politics. As an actor, I'm driven more by an authentic - I would say an obsessive-compulsive-disorder level-fixation on mimicry, tonality of voice, to literally imitate something until I can just disappear into it.
When you're heartbroken, you're at your most creative - you have to channel all your energies into something else to not think about it. Contentment is a creativity killer, but don't worry - I'm very capable of making myself discontented.
My very first movie, 'Mary Poppins,' which I talk about, it just turned me into an obsessive, creative creature who had to sort of reply to the experience by drawing things, making things. It was like it forced - it made me into this obsessive, creative creature... I don't know any other way of putting it.
Wow, I wish I could have done something like that.” That’s the thing, with other filmmakers, if I like them I just feel admiration. And yes, I usually say, “I wish I could have been part of that creative process,” because the films I admire like that are so specific that I know the creative process is also so specific, it’s nothing you could just imitate.
The creative process is just a process and you can't really separate it from life. Growing your hair is a creative process. Your body is creating hair. Being alive is a creative process. Whether it's growing something in the garden or growing a song, the material accumulates. It's the process of being alive; it's the passage of time. Things change.
I'm kind of an obsessive-compulsive person, like, neat obsessive.
To be an actor, it's really tough to find your own voice because you're always tied to other characters and going to auditions and trying to get a job, hoping they'll pick you. And I think it's just so important for an actor to have something else that's creative, something that's creative and you're in charge of.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
Like any other creative person, I would make home videos, and I would make sketches with my friends, and I would make my own movies, so I have some love for the creative process.
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