A Quote by Jasmila Zbanic
In Bosnia, there are no 35mm cameras. There are no film labs.
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Robert Rodriguez, makes a feature film in 35mm celluloid one and a half hours long, and nobody believed him, I think he wrote a book about it and gave all the details of how he spent the money, even making a 35mm celluloid feature film was possible, at least for Rodriguez.
Small, portable digital cameras that exceed the performance of an off-the-shelf Nikon using 35mm slide film are further away from current reality than the proposed NASA manned Mars mission, although I expect both to happen sometime during my lifetime.
I was free always. I could work without the money, to film this and that. But this is another point, because now I'm alone, and I can just use it when I want. I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
I'm really into my photography and am trying to catch up with digital generation - I was used to the old 35mm cameras.
From analog film cameras to digital cameras to iPhone cameras, it has become progressively easier to take and store photographs. Today, we don't even think twice about snapping a shot.
If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.
I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
I shot my undergraduate work on 35mm. I love the way it looks, but I haven't shot film in a while. If you can avoid scanning, it makes your practice faster. Oh, and I shoot a lot of Polaroid, too. I have about five hundred Polaroids from my film that I hope to show soon.
During the war, a battle was fought here, not only for the creation of a new Yugoslavia, but also a battle for Bosnia and Herzegovina as a sovereign republic. To some generals and leaders their position on this was not quite clear. I never once doubted my stance on Bosnia. I always said that Bosnia and Herzegovina cannot belong to this or that, only to the people that lived there since the beginning of time.
35mm film isn't ticking away so it's subconscious - performances are allowed to breathe in a much more real way I think.
Putin has this ritual of having the televised meetings with ministers. Cameras will be allowed in to film the first five minutes of a meeting that is conducted entirely for the cameras. We don't even know whether the meeting then goes on.
For Instagram, people use cameras ranging from high-end DSLRs, point-and-shoots, classic film cameras, and their smartphones. I personally like to use my iPhone because I know I will always have it with me.
In Bosnia and Herzegovina, a country of few but nonetheless good films, it is almost impossible to produce a film without access to various European initiatives and funds. Creative Europe and its media program are essential for our film industry.
I'm really into acquiring film paraphernalia - that's my hobby. I love old movie posters, cameras and film reels.
I was lucky enough to go to an all-boys prep school in upstate New York that had a film program, so we had access to 16mm Bolex cameras, Nagra sound recorders, Arriflex cameras. We even had an Oxberry animation stand!
In music, we can still record analog and then do the post production in digital. In film, sooner or later, we're not even going to be able to film because they won't be able to process. The labs won't exist anymore. You'll just have to do it with digital.
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