A Quote by Jerry Hall

My mother and my sisters - five girls - were crazy about glamour and Hollywood movies. I styled myself on Veronica Lake and Marlene Dietrich. — © Jerry Hall
My mother and my sisters - five girls - were crazy about glamour and Hollywood movies. I styled myself on Veronica Lake and Marlene Dietrich.
I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.
I grew up on Bette Davis movies, and Marlene Dietrich, Marilyn Monroe.
I separate the performer from the private citizen because it works for me. That gives the surprise element to my show. It doesn't change my playing. But if in a business suit they would think I was crazy. It's like putting Marlene Dietrich in a housedress.
I am a Scorpio, and playing the seductress appeals to me. There are a lot of women throughout film history, like Marlene Dietrich or Mae West - those are the women I was always attracted to. The bad girls.
I never smoked myself because it lowers your voice and mine was already low. Some singers liked their smoky voices though, like Marlene Dietrich.
As a little girl growing up in a small farming town in Michigan, my idols were women like Marlene Dietrich and Rita Hayworth.
I think movies also played a part in my interest in fashion. I've also always been hooked on the movies. From my early teens on, I always had my favorite movie stars who I admired, like Carole Lombard and Greta Garbo and Marlene Dietrich, and the men in my life who I loved, like Gary Cooper.
There's nothing new about fashionable women borrowing from men's style; just think of Marlene Dietrich, Brigitte Bardot, or Diane Keaton.
From a child, I knew I didn't have the face I wanted to have. My mother was a baroness. She was from Berlin; she was a silent movie actress and friends with Marlene Dietrich. So she knew all about film make-up and prosthetics and stuff like that and what they used to do in those days. And she taught me all that as a child.
I grew up watching old black and white movies where Marlene Dietrich or Jean Harlow would go walking down some cobblestone street in ripped stockings and head into some smoky boite and sing for a pathetic living. That's so what I wanted to be.
I'm one of five sisters. I'm the younger of twins, and we're the youngest of five girls, and we've always been very close. We were pretty much a gang. I take after my mother a lot in terms of personality and character. She was very positive; always looked on the bright side of things. She had a tough time of it with my dad but did her best.
Even the most beautiful legs - Marlene Dietrich's, for instance - look better when the kneecap is covered.
When I think about old Hollywood and the glamour of those days, women like Grace Kelly, Marilyn Monroe, and Audrey Hepburn were not dressing the way some girls dress today. There was a certain mystery about them, and I feel like that's gone in our industry.
Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.
I have a big box of autographs. I took photographs of me and Marlene Dietrich, me and Ida Lupino. I took pictures of Myrna Loy and Joel McCrea in front of the studios. I loved Hollywood. I have 500 autographs and 500 photographs I took.
Eight months after graduating from Ryerson, there I was in West Berlin working with Marlene Dietrich and David Bowie and Kim Novak.
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