A Quote by Joan Smalls

A career high was when I did a cover for 'W Magazine's July issue with Steven Meisel. So few girls shoot with Meisel in their career, and a lot of people had told me I would never achieve that, so it was a dream come true.
A career high was when I did a cover for W Magazines July issue with Steven Meisel. So few girls shoot with Meisel in their career, and a lot of people had told me I would never achieve that, so it was a dream come true.
I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'
An Isaac Mizrahi fashion-show ticket signed by Steven Meisel. I rushed up to Meisel at the end of the show and asked him to autograph the card that had his name and seating assignment on it. It was an incredible moment when he shot the autumn/winter 2014 Moschino campaign.
There are some very creative people out there who are like Steven Meisel, and that is why their work is so extraordinary.
One of my favorite poses was when working with Steven Meisel. It was one of my first photo shoots with him, and we were trying to get the cover of Italian 'Vogue.' Then, I literally took my Balenciaga hat, pulled it down, and gave a rolling-eye, 'ugh' face, crossed legs on the floor. And lo and behold, that was the cover of Italian 'Vogue.'
I cut my hair short and it basically changed everything overnight. I was about 18 when I cut my hair off - the little pixie haircut. Nobody had short hair at the time. Literally overnight everything changed. I worked with Steven Meisel within a month and a half and I booked every show. Then I got a Vogue cover - my first Vogue - and that came out a few months later.
I'm very lucky that I've worked mainly with two amazing photographers in David Sims and Steven Meisel.
In my teen years, I was hanging out with adults - Steven Meisel, Francois Nars, Oribe, Paul Cavaco. We had so much fun! We'd go out in New York.
I love Steven Meisel and David Sims' work, I think they're both amazing photographers. I want to be at the same level as them one day.
With Steven Meisel, I'd looked at his work from afar and always loved it, and when I started to work with him, I was blown away. He taught me so much about looking at women and looking at images.
Singing is more of a hobby than really something I want to do for a career. But I love musical theater, so I'm hoping I can go back to it and do a role on Broadway for a few weeks. That would be a dream come true. My dream role would be Roxie in 'Chicago.'
When you look at Steven Meisel's pictures and you see girls rolling around in mud or cars are blowing up? It takes a tremendous amount of courage to be able to do that. I think you have to be malleable, and that's what makes a truly great model. It's not the perfect lip or the perfect face, it's your own ability to take on a character and that's, I think, something there's a misconception about.
It's everyone's dream to be on a cover of a magazine - you know what I mean? It's like a dream come true.
I see myself on the cover of a magazine and I don't think that it looks like me at all. My first-ever photo shoot was for the cover of a lads' magazine.
It would be a dream come true to end Manny's career, just like I ended Erik Morales' career. It would be that same type of feeling. Pacquiao is a global superstar, and once I beat him, I'll be the new pay-per-view superstar.
Even when he was just a reality-TV star, Trump was the kind of star who got a cover story in 'Time.' But that wasn't true. The 'Time' cover is a fake. There was no 1 March 2009 issue of 'Time' magazine. And there was no issue at all in 2009 that had Trump on the cover.
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