A Quote by Joe Wright
I was really excited to try 3D and play with it really, again, experiment formally with that extra dimension.
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I really believe, especially with 3D, you kind of have to approach it as this holistic thing. You have to kind of mount a 3D movie; you can't just add 3D as a kind of a special sauce sprinkled on top of a dish afterwards to give you an extra 20-percent in theater grosses, which I think is the way a lot of studios perceive it.
I am really excited to be signed on by Julian Belfrage Associates, who manage some of the best talent out there, and I am really excited for this new dimension and beginning.
3D, the ever-changing 3D. It's great. It's been really interesting. My family came to the set a few times, and I see them with their 3D glasses on. It's lovely to have them there and be a part of it, and see the magic that we're playing with, because it really is incomprehensible until you see it on a 3D screen.
When we wrapped Resident Evil, we were a 3D movie, but it was no big deal. And then, Avatar came out and the whole of Hollywood was like, "Look at these grosses! 3D is huge. Let's all be 3D!" We just got on with doing what we were doing, which was making what we think is a really quality, kick-ass 3D movie, and we'll really be the first live-action 3D movie of the year.
My birthday is Feb. 11, and I'm both excited and not excited by it. You'll never be 15 again, and you really, really need to savor every day like it's your last.
So it [3D] is something I'm still learning, it's fresh, so if the budget allows I'll do it again and just see how far it goes because it's the frontier, it's more interesting. It's still expensive, the projection system can be annoying sometimes, it's not really regulated or perfected yet, so it's still expensive. If I do a lower budget I'll just do 2D, but if the budget allows I think I'll try 3D.
I just try to do things that make me excited. If I can find a way to surprise myself, then that's when I'm really excited to share something and really can stand behind it.
I'm really excited, because the character, Jules, is a really awesome character. I'm really excited to be playing her, and overall, I'm really excited to be getting back to my acting roots.
I don't try to make one thing. I really try to experiment, even if its just the vocals or the beat. I can't really describe my sound.
I really couldn't be more excited about the opportunity that we have with the new president to really turn this country around and get the economy moving again and have America standing tall again, home and abroad, to make America great again.
I chose to go back to 90210 because it's home, you know, and we had such a loyal fan base for so many years that I owe everything to our fans. So I felt - I really felt the need to give back to them and to give then Donna again, and see where she is now. And I'm really excited to play her again.
I really couldn't be more excited about the opportunity that we have with this new president [Donald Trump] to really turn this country around and get the economy moving again and have America standing tall again, home and abroad, to make America great again.
Nine Inch Nails was an experiment with me in discipline. I realized when I was 23 that I had never really tried anything. Schoolwork came easy to me. I learned to play piano effortlessly. I was coasting. I realized that I was afraid to really, really try something, 100 percent, because I had never reached true failure.
3D needs a trained eye. It can't be done by everybody. People who just do 3D just for the sake of commercializing their movie another five or six percent and they don't know really how to do it, they should care how to do it better by bringing other directors and collaborators into their lives to help teach and instruct how you really make a 3D movie because it's not just like putting a new lens on a camera and forgetting it. It takes a lot of very careful consideration. It will change your approach to where you put the cameras. So, 3D isn't for everybody.
To watch a movie in 3D when it's not really planned in 3D is disturbing sometimes.
When I make music I try to be as honest as I can to how I experience the world. Like how you arrange a piece of music formally. I tend to observe a lot of chaos or whatever, the fragmentation and melancholy. That's the filter I synthesize my world view with. If I didn't formally have that chaos and it was really linear, it would make my skin crawl.
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