A Quote by Joe Wright
I think maybe I might tackle something that doesn't reach down to a very, very young audience, like more of a kind of teenager and upwards.
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I think every teenager is a hero. When we are young we feel so much pain. Go to school is like going to war, people let you down all the time. Sometimes it's very, very difficult to stay strong, but you have to.
My first year, I was really a kind of a wild guy. But I had a very difficult car to drive and I was very young. I think I was maybe too young to have started straight away.
It's very easy to just shout: 'Off with their heads!' Maybe in doing that you might lose something very valuable. I would like to see the monarchy continue, but in a more democratic fashion.
When you're still in the broadcast business, you're still trying to reach tens of millions. You're trying to still aim for a broader audience, and I think that's a more difficult task to spread yourself across that audience, connect with them, as opposed to a very, very small, pinpointed audience. Difficult to do.
I don't try to impress people. Sometimes my jokes can be very harsh; I'm very sarcastic. I would joke about something disgusting, and my agent might be like, 'OK, maybe leave that behind for this one meeting. The burping? Maybe don't do that.'
The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.
Negative? Moi? I think realistic might be a better word. You mean to tell me we can drive all the way here from L.A. and see maybe ten thousand square miles of shopping malls, and you don't have maybe just the weentsiest inkling that something, somewhere has gone very very cuckoo?
With war and famine and flood and special effects films, when you do somebody under duress, you have to be really be inventive and the risk of keeping it very simple is you might loose some of the audience because it's not overt, it's hidden, not coming at you. Then you might cut through to some of this numbness and reach something profound and tragic.
If you are not lucky enough, you can't reach the future! You might be very intelligent, you might be very talented and a very good planner, but you still need 'luck' to reach tomorrow, you still need to be lucky to reach the future!
With television, attention spans have been shortened. It's something we have to fight against: the dumbing down of the audience. To be part of an audience is a privilege. To be with the people on stage, to let them reach you. If you're doing a million other things, they won't reach you.
Growing up, being watched from the outside... it's kind of very taxing and maybe I should just do some kind of manual labor-it might be more relaxing. But I can't, it's not in my nature.
I think the war movie genre is a very important genre in film. Film gives you a visceral experience of something that you would never otherwise experience. To give the audience a real feeling of what maybe a certain kind of warfare would be like I thought was great.
On stage I have to amplify some of my emotions with my back or make something a little bit more obvious because my audience might be very far away from me, or very high up and find it harder to read what I'm trying to express.
I think the more you have a generalist perspective, I think sometimes the more you can kind of see through the forest and the trees. And when it gets a little bit cloudy, you know, have some sense of, "Well, maybe this might happen or maybe that might happen." So I really am a big believer in liberal arts education. I think it's better - particularly in these kind of uncertain times - to know a little bit about a lot of things as opposed to being expert in one thing.
Sometimes it's not like I write very specific, it's more like I add an atmosphere almost to something that might have been quite awkward in my mind from the beginning. Something has happened and I want to force myself to think of it in a more positive way. And then I force myself to write something that convinces me that this is actually something pretty good or something that I learned something valuable from.
So, it's a very, you know - maybe we're wrong in - you know, we go around thinking the innovator is the person who's first to kind of conceive of something. And maybe the innovation process continues down the line to the second and the third and the fourth entrant into a field.
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