A Quote by Joe Wright
Most of my choices come about through some kind of intuition or instinct, and if I need to, I'll post-rationalize them, intellectually, afterwards. But generally, they come about just by feeling.
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Cinematography is so much about instinct and intuition - you want the same range of experience going into behind the camera as what you see in front of it. Your life experience will come through the lens.
Songwriting is ... all about intuition - this thing pops into your head for a reason and it's up to you to follow it. It's like there's a spirit, or intuitive network, that comes through all of us, but most people don't take the time to think about it or remember it. These little things pop into our heads - it's just a process of intuition. The initial thought comes in a baby state, and you work on that some more.
A lot of comics will say that the thing about specials now is that they're not special anymore because there are so many of them, and they come and go, and they're not really talked about. They just kind of come and go.
I want to say that I can be Moroccan and speak about someone without speaking about his nationality. Because, you know, I have the feeling that when you come from Morocco, when you come from Afghanistan, when you come from Africa, Occidental people always wait for you to write a novel about identity.
Since I come from a family of mental instability, and I have suffered depression myself, I knew that living in shame is senseless and painful, and that by talking about it, I have come to peace with it. The stigma behind people's suffering needs to end. We as a community need to embrace these disorders, try to understand them (if only just to talk about them) so that we can cease being defined by them.
Remember, science fiction's always been the kind of first level alert to think about things to come. It's easier for an audience to take warnings from sci-fi without feeling that we're preaching to them. Every science fiction movie I have ever seen, any one that's worth its weight in celluloid, warns us about things that ultimately come true.
It is not rational to assume, without evidence, that rationality can disclose everything about the world, just because it can disclose some things. Our intuition in favour of rationality, where we are inclined to use it, is just that - an intuition. Reason is founded in intuition and ends in intuition, like a pair of massive bookends.
When people express what is most important to them, it often comes out in cliches. That doesn't make them laughable; it's something tender about them. As though in struggling to reach what's most personal about them they could only come up with what's most public.
See things that you want as already yours. Know that they will come to you at need. Then let them come. Don't fret and worry about them. Don't think about your lack of them. Think of them as yours, as belonging to you, as already in your possession.
When I was younger I would have told you it was my genius, but now I don't believe that for a second. Music just comes out of you, it flows through, it's weird. If you think about it intellectually, how does someone come up with two hundred riffs over their life time?
It's just about having faith in what I wrote and following through on the plan and making sure I get the pieces the way that I need them. It's just about executing properly in production and then in post, you know, it's working [with] and trusting my editor, and then also playing the film for people and seeing how they react.
Families interest me - I'm part of one; most of us come from one. And I'm curious about the choices made in life, how they affect things, and how those choices happen.
I've come to learn that the choices I labor over and go back and forth about and ask a million people for their opinions and make lists about those are always the wrong choices.
I've come to learn that the choices I labor over and go back and forth about and ask a million people for their opinions and make lists about... those are always the wrong choices.
Some people tell you, 'I'm your good luck charm - I've been to eight races in my life and you've won six of them' or something like that. So it's kind of like, 'Well, you need to come to more then!' Other times, fans just want to talk about previous times they've met you.
I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page.
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