A Quote by John Lasseter
Sure, they were simple desk lamps with only a minimal amount of movement, but you could immediately tell that Luxo Jr. was a baby, and that the big one was his mother. In that short little film, computer animation went from a novelty to a serious tool for filmmaking.
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Every normal woman that is a mother will do everything for your baby to make sure he is happy. Every mother understands that the baby is only happy being with his or her mother.
A mother and a little boy were walking along, and I could tell the minute the recognition hit the little boy. As he walked by holding his mother's hand, he said in a real loud voice, 'Look, Mother. There goes an old Gomer Pyle.'
My father was a mailman. His father was a coal miner. My mother's mother could barely speak English. And their son today stands on this podium in the great state of Ohio not only as the governor, but a candidate for president of the United States.I do believe in miracles.I've had a lot of elections. But my elections are really not about campaigns. I tell my people that these are about a movement.A movement to do things like provide economic growth. And a movement not to let anybody be behind.
Animation, for me, is a wonderful art form. I never understood why the studios wanted to stop making animation. Maybe they felt that the audiences around the world only wanted to watch computer animation. I didn't understand that, because I don't think ever in the history of cinema did the medium of a film make that film entertaining or not. What I've always felt is, what audiences like to watch are really good movies.
I remember when I was like 19 years old and I started a desk calendar company to pay for my first short film, just so I could say one day that my daddy didn't pay for my first short film. And I really established myself in the film festival world.
Films are made the same today, as they've ever been made, in certain respects. The scriptwriting, the pre-production, the storyboarding, and the designing are all the same. The technique of animation has changed, in the sense that rather than drawing it by hand, we use a computer as a tool. The computer has become a pencil to draw or paint the images that we see in a film.
My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
The documentaries were something that I could do for a small amount of money, and then I felt like as long as I found the truth in the stories I was telling as a doc, I could teach myself filmmaking through doc filmmaking.
I'm a big fan of cel animation, I'm a big fan of computer animation, and, most of all, I'm a big fan of stop-motion animation.
Animation is very similar to sketch comedy: you have a short amount of time to do something big and ridiculous and funny.
I've always loved animation it's the reason why I do what I do for a living - the films of Walt Disney. This art form is so spectacular and beautiful. And I never quite understood the feeling amongst animation studios that audiences today only wanted to see computer animation. It's never about the medium that a film is made in, it's about the story. It's about how good the movie is.
A novelty in Polish filmmaking was that it was possible to find funds for a big production. However, at the same time, the state budget committed less and less money to filmmaking.
I've never done a lead role in a film this big [like Doctor Strange], in a franchise this big. One of the reasons was, I wanted to know what the toy box was like. And it's just insane, the amount of facility that everyone gets, but the amount of artistry and craft that's brought to every aspect of filmmaking. I mean, you go to your first costume fitting and it's one of thirty. It's a myriad, but it's for a reason. There are so many incredible costumes in this.
Have to love the preemptive guilt trip! I will be visiting home for Mother's Day. Hoping for minimal "baby cannon" talk, but realistically that's going to be a big part of the day.
Pixar has invented much of computer animation as it's known today, and I've been very lucky to be the first traditional animator to work with computer animation.
I can remember playing under the big wooden desk in his office. My mother didn't like us to chew gum, so we'd go into his office, and he'd feed us gum under the desk.
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