A Quote by John Lasseter

At Pixar, after every movie we have postmortum meetings where we discuss what worked and what didn't work. — © John Lasseter
At Pixar, after every movie we have postmortum meetings where we discuss what worked and what didn't work.
I auditioned for 'Coco' when I was nine years old, and I had no idea I was auditioning for a Disney/Pixar movie. When I was 10, they told me that it was going to be a Disney/Pixar movie, and I was just mind-blown. I was so shocked and thankful that I was going to Pixar.
When meetings are the norm - the first resort, the go-to tool to discuss, debate, and solve every problem - they no longer work.
I grew up watching Pixar movies. And my favourite - if you don't count 'The Good Dinosaur' - is the first Pixar movie my older brother showed me. That would be 'Monsters, Inc.' I also like Disney - 'The Lion King' is probably my all-time favourite movie.
When Pixar calls and says, 'Hey, you wanna be in a Pixar movie?' you don't do a lot of contemplating!
I came out to Los Angeles for a couple of meetings in the summer of 2005, and I ended up getting a movie called Firehouse Dog for Fox. And I thought, "Oh, man. I'm doing a movie. Maybe I'll work a lot more now. I'm an actor now." Then, for eight, nine months I didn't work after that. After that movie, I began to get some guest star roles, fairly consistently, but because I had been so presumptuous before in thinking that the other jobs would lead to something, I realized: "Just get up. Go to work. Go home. This is your job just like everyone else's job."
A Mozart symphony is very much like a Pixar movie - in the sense that Pixar movies are hugely successful because they operate on several levels at the same time.
Our meetings are held to discuss many problems which would never arise if we held fewer meetings.
Horizontal meetings are team or project meetings, set up to coordinate individual activities. When I worked in a large tech company, those meetings just popped up in my calendar by the dozen.
Every Pixar movie at one time was the worst motion picture ever made.
I didn't mention the tooth thing to anyone until it became clear that...we started to discuss just taking it out of the movie [The Hangover] because we couldn't find anything that worked and they couldn't afford to do a full like digital effect. So that's when I called my dentist and it worked out.
What's fun about the story development at Pixar is it's a journey. You don't just write a script and then that's the movie you make. It's just constant evolution and being open to that and that collaboration with the voice actors and with the artists and animators at Pixar.
I would have been content with still playing Inmate #1. I worked on every prison movie made, from 1985 to 1991. I would go from movie to movie to movie.
I am on good terms with whoever I have worked with. We never discuss films. We discuss life and what we had for lunch!
When you shoot an independent movie you have a very limited amount of time, and you don't want to be that actor, when a poor director is trying to get through a movie, that you're asking at every second to discuss performance.
But I don't just see the movie when I see the movie, I see all the great people who worked on it and all their hard work, because they could not have worked any harder.
So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
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