A Quote by Jon Connor

My earliest influences would definitely be my father, just seeing him play in different bands and going to his shows and going to the rehearsals. You know what I'm saying, it was the typical story of a son looking up to his dad. So the years that my father was around, my father was my biggest influence.
The Son is called the Father; so the Son must be the Father. We must realize this fact. There are some who say that He is called the Father, but He is not really the Father. But how could He be called the Father and yet not be the Father?... In the place where no man can approach Him (I Tim. 6:16), God is the Father. When He comes forth to manifest Himself, He is the Son. So, a Son is given, yet His name is called 'The everlasting Father.' This very Son who has been given to us is the very Father.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
My earliest memories of my father are of seeing him work at his desk and realizing that he was happy. I did not know it then, but that was one of the most precious gifts a father can give his child.
And he arose and came to his father. But while he was still a long way off, his father saw him and felt compassion, and ran and embraced him and kissed him. And the son said to him, 'Father, I have sinned against heaven and before you. I am no longer worthy to be called your son. But the father said to his servants, 'Bring quickly the best robe, and put it on him, and put a ring on his hand, and shoes on his feet. And bring the fattened calf and kill it, and cet us eat and celebrate. For this my son was dead, and is alive again; he was lost, and is found.' And they began to celebrate.
You cannot show real respect to your parents by perpetuating their errors.... Do you consider that the inventor of a steel plow cast a slur upon his father who scratched the ground with a wooden one? I do not consider that an invention by the son is a slander upon the father; I regard each invention simply as an improvement; and every father should be exceedingly proud of an ingenious son. If Mr. Talmage has a son, it will be impossible for him to honor his father except by differing with him.
'East of Eden' is an important story for me. It's about a kid that's misunderstood and feels like he's not loved by his father. It's a very father-son kind of story, and it's not until the end that they sort of make up. I like that because every boy has trouble with his father, so it's very relatable.
Rattigan's world demanded unwavering trust in principles, loyalty, and virtue. At the time of this play - Rattigan was writing this play in 1947 about an incident that took place in 1914 - should a boy say he didn't do something, his father would believe him; a British father would take the defense of his son's honor to his grave.
When the father is going on in his journey, if the child will not goe on, but stands gaping upon vanity, and when the father calls, he comes not, the onely way is this: the father steps aside behind a bush, and then the child runs and cries, and if he gets his father againe, he forsakes all his trifles, and walkes on more faster and more cheerefully with his father than ever.
His father watched him across the gulf of years and pathos which always must divide a father from his son.
Every backstory involves my father. I remember hearing Gary Oldman talking about backstories and saying, 'I got to stop using my father...' And I feel the same way. I don't know. What I come up with always involves some element of this son trying to prove himself to his father.
My father's life was so decimated by his earliest experiences. His mother died when he was 7 years old, which he always said was the worst experience in his life. When he was 8, his father disappeared and he was on his own from the age of 8.
My father always wanted to be 'Col-bear.' He lived in the same town as his father, and his father didn't like the idea of the name with the French pronunciation. So my father said to us, 'Do what you want. You're not going to offend anybody.' And he was dead long before I made my decision.
I think for my parents it was like "A Boy Named Sue," the Johnny Cash song. A guy named Sue tries to track down his father to take it out on his father for naming him Sue. And his father says, "Look, I knew I wasn't going to be around. So I gave you the name so that you would grow up strong enough to take the hits and fight back." So I like to believe that's why my parents gave me this stupid name.
There is no one who is more conflicted in the Marvel Universe, in my opinion, than Matthew Murdock. Is he his father's son, or is he the son of his father? Is he someone who is going to solve the world's problems in a court room, or is he someone who is going to solve the world's problems with his fist?
I feel connected to the Second World War because my father lost his father in that war. So, through my dad and the effect it had on him of losing his father young, I always felt connected to the war. It goes back years, but it still feels to me as if we're completely living in it.
Sir Walter, being strangely surprised and put out of his countenance at so great a table, gives his son a damned blow over the face. His son, as rude as he was, would not strike his father, but strikes over the face the gentleman that sat next to him and said, "Box about: twill come to my father anon."
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