A Quote by Jose Parla
Sometimes I'm inspired by a certain part of my life - I'm thinking about a place and I'll mix the colors from memory.
Related Quotes
My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the experience of my sensibility. Inspired by certain pages of Delacroix, an artist like Signac is preoccupied with complementary colors, and the theoretical knowledge of them will lead him to use a certain tone in a certain place. But I simply try to put down colors which render my sensation.
I'm hugely inspired by the '60s and the '70s. I just love the music of that time and the overall freedom of that era. I love that the idea of clashing didn't really exist. You could mix prints on prints, you could mix fabrics and colors - and it was more about the way you felt than about the label and trends. That's something that I've always gravitated towards.
The rainbow is a part of nature, and you have to be in the right place to see it. It's beautiful, all of the colors, even the colors you can't see. That really fit us as a people because we are all of the colors. Our sexuality is all of the colors. We are all the genders, races, and ages.
She feels like kicking out all the windows
And setting fire to this life
She could change everything about her using colors bold and bright
But all the colors mix together - to grey
I invent by analogy. I thought, 'It's commonplace that you can mix colors, smear them together to get new emerging colors. Likewise, you can mix radio waves to get new frequencies.' So, I wondered, 'Why can't you mix sound to get new sounds?'
To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.
My children have gone to Catholic school... Part of their whole education is talking about the inner life and looking at your life, even though you're only 15 or 16 - thinking about your mortality, thinking about the value of your life, thinking about your obligations.
Manners are like primary colors, there are certain rules and once you have these you merely mix, i.e., adapt, them to meet changing situations.
It's a little place on the Pacific Ocean. You know what the Mexicans say about the Pacific? They say it has no memory. That's where I want to live the rest of my life. A warm place with no memory.
I love to mix colors. For me, I don't have a rule, like "you can't wear silver and gold." You can mix it.
I love the Fashion Fair Concealer Wheel. That's my little secret. It comes with three colors in it. What I like about it is that you could almost cover your whole face in it if you want because you can mix the colors to create the perfect shade that works with your skin.
A story is ultimately a memory. It's important when you're telling a story to think about why this memory is a memory. You don't remember everything in life; you just remember certain things - so, why this one?
It's easier to write about a place sometimes when you've left it, when you can apply your imagination to your memory and let your emotions guide the writing about a place.
We know that if memory is destroyed in one part of the brain, it can be sometimes re-created on a different part of the brain. And once we can unravel that amino chain of chemicals that is responsible for memory, I see no reason why we can't unlock it and, essentially, wipe out what's there.
For 'Orphan Black,' all I got was the pilot script, and that was enough for me. I was daydreaming about this part. I kept thinking about how certain scenes were going to play out and how these interactions were going to take place.
Sometimes it's a beautiful face, sometimes it's a place. I am inspired by everything.
