A Quote by Justin Kurzel

When I was 17, I moved to Sydney to study set design at NIDA. — © Justin Kurzel
When I was 17, I moved to Sydney to study set design at NIDA.
My commitment is that Crown Sydney won't be just another hotel: it will be a landmark building for Sydney with a design and quality that the city deserves.
I always knew I wanted to go to NIDA. I think I was very fortunate, and I do doubt myself often, but I didn't see any possibility of me not going to NIDA. I believed in myself, and I believed that, if you really do want something, you get it.
I was born in Cairns, Queensland. Then my parents and I moved to Sydney. We moved to New Wales. We moved around Australia. I was just really close to my parents, and actually, we moved around a lot when I was very young. I think it played a big part in making me the shy teenager that I was.
If I want to make people moved or cry in a film, I figure out what the room looks like, what the people are wearing, what time of day it is, what the light is, how to photograph it, where to put the camera. It involves optics and costume design and set design and architecture.
I spent my first five years in Canberra then moved to Sydney, where I moved around the Hills District until the age of 18.
You have to think about what you want to do. There is nothing to say that you should study from the age of 20 to 23. I learnt more on a film set at 17 than in the classroom.
I was born in L.A., then we moved to Hawaii, then we moved to New York, then we moved to Baltimore, then we moved to California, then we moved to Hawaii, then we moved to Texas, then we moved to Hawaii, then we moved to California. This was before I was 17.
I moved from New Zealand to Melbourne when I was 17. I'd planned to go to university to study French, but I was offered a contract to write and record an album that was too good to pass up. Looking back now I think that was pretty young but, at the time, I was ready to have an adventure.
I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.
I do not have a history in set design. I have a history in art. I draw. But I learned set design when I couldn't afford to have a team and I didn't want to look like I was indie. I wanted to give fans the visual.
Growing up as a kid, we moved all over the country on a fairly frequent basis, from New Jersey to Texas, California, Illinois... we moved 21 times in my first 17 years.
I moved cities when I was 17, and I moved countries when I was 20. Every time, I put football at the forefront and, if you do that, you don't have such a hard time settling in.
I moved to New York at 17 to go to school. At 24, I moved back to Ithaca, then moved back to New York at 28.
This is what we've been waiting for: finally, an unprecedented critical analysis of the history of Dutch design. Mienke Simon Thomas's Dutch Design is a book to have and to read: an important and richly detailed study of the cultural, economical and social-political context of twentieth-century design in the Netherlands.
Set up your study or picture in an orderly fashion. This order should not cramp either the linearist or the colorist... Never lose sight of that first impression by which you were moved.
I wanted to have a peaceful married life with my wife, so we both moved to Sydney in Australia.
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