A Quote by Lenny Abrahamson

I've been in rooms where people are discussing films that have yet to come out and saying delightedly, 'Oh, I've heard it's a disaster!' The jealousy is unseemly. — © Lenny Abrahamson
I've been in rooms where people are discussing films that have yet to come out and saying delightedly, 'Oh, I've heard it's a disaster!' The jealousy is unseemly.
We're told that independent film lovers... folks that are used to watching art house films, won't come out and see a film with black people in it - I've been told that in rooms, big rooms, studio rooms, and I know that's not true.
I don't mind saying in advance that in my opinion jealousy is normal and healthy. Jealousy arises out of the fact that children love. If they have no capacity to love, then they don't show jealousy.
We heard her come halfway up the stairs, where she must have seen the bedroom light on. Again, the normal parent reaction would have been to say something like, "You had better come out this moment or I am releasing the tiger!" But Debbie was not a normal parent, so we heard her gigle and creep away, saying, "Shhh! Rachel! Come with Mommy! Stuart is busy!
I make films about working class people. All my films have always been about that. For example, the brothel is a workplace. It's aberrant, but a workplace nonetheless. I was more interested as opposed to glamorizing and saying, oh, this is a great erotic place, it's a place of business. The commodity is sex.
My thing is to get new fans. So I love when people say, 'Oh, I've heard of him before.' Or 'I've never heard of Durk.' Or 'I'm a fan of Durk today.' This is what I like to see, because it lets me know when I come out with something that it's going to work.
Now the fact that people are saying, 'Oh my God, he's finally come out' - I was never in.
All I'm saying is once you've been out in the woods and heard the things I've heard, you'd believe in Big Foot and the chupacabra.
We've seen what happened in Libya, what a disaster that's been driven by Hillary Clinton, and the disaster in Syria and almost disaster in Egypt. What a close call that's been. We're not out of the woods yet with Egypt.
People are either attracted to the unseemly or disapproving of it, or both; yet we try to sound superior to the unseemly by pretending to be amused by it or indifferent to it.
I know people may find this hard to believe, but there were lots of times when I would be just too tired to go out. I'd have Mick Jagger calling me on the phone saying, 'Oh, Bebe, please come out,' and I would be like, 'Oh, please, I've gotta go to sleep.'
My nan, God bless her, used to buy the NME, then go to the chip shop and be like 'ooh check out that' every week, she'd be saying, 'Oh have you heard the new single by Arctic Monkeys?' and it's like, I haven't even heard this!
Most recently we've been working in concert situations rather than clubs. because there aren't too many rooms there like Ronnie Scott's, that are pure music rooms, where people come specifically to listen to music.
So what were you [Sonea] and Dorrien discussing before?' Akkarin asked. She turned to regard him. 'Discussing?' 'Outside the farmhouse when I was buying the food.' 'Oh. Then. Nothing.' He smiled and nodded. 'Nothing. Amazing subject, that one. Produces such fascinating reactions in people.
You come out into the world after a season of TV and you're just swearing and saying mean things to people and they're looking at you like, Who are you? And oh yeah, you think, I have to reacclimate to the way people genuinely treat each other.
I've often been struck by the extensive knowledge that people have of sports, and particularly, their self-confidence in discussing it with experts. . . . In contrast, when discussing matters of concern to human lives - their own and others - people tend to defer to experts.
I have the best of both worlds. I have all the accolades that come with something like that video, but I don't have people stopping me on the street and being like, "Oh, my God, dance for me." I have probably only been recognized three or four times flat out - someone saying, "Are you the Evolution of Dance guy?"
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