A Quote by Lina Wertmuller
Some feminists have this party-line attitude, and they can be very extremist. The most enlightened characters in my film are women.
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I take a very simple view that a violent extremist at some point previously been an extremist, and by definition is an extremist, so you do need to look at that non-violent extremism.
To most middle-class feminists, as to most middle-class non-feminists, working-class women remain mysterious creatures to be “reached out to” in some abstract way. No connection. No solidarity.
I listen to feminists and all these radical gals - most of them are failures. They've blown it. Some of them have been married, but they married some Casper Milquetoast who asked permission to go to the bathroom. These women just need a man in the house. That's all they need. Most of the feminists need a man to tell them what time of day it is and to lead them home. And they blew it and they're mad at all men. Feminists hate men. They're sexist. They hate men - that's their problem.
I get very frustrated when I hear women saying, "Oh, feminism is passé," because I think feminism means empowerment. Men can be feminists, too! Many men are feminists. We need feminism. It's not against men; it's about the empowerment of women. It's the respect of women - giving women equal rights, the same opportunities.
It's time ... the Republican Party end the war on women they started. Whether it's the Blunt-Rubio amendment, personhood or attempts to repeal Roe v. Wade, we aren't going to let extremist politicians dictate to women what we can or cannot do with our bodies.
The real joke that history played on American women is not the one that makes people snigger, with cheap Freudian sophistication, at the dead feminists. It is the joke that Freudian thought played on living women, twisting the memory of the feminists into the man-eating phantom of the feminine mystique, shriveling the very wish to be more than just a wife and mother.
Pro-life feminists believe in women and their ability. Pro-choice feminists only see women as weak and something to be exploited.
I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
The early feminists were pro-life. And really, abortion is a huge disservice to women, and it hasn't been presented that way. As Feminists for Life-what we're trying to do is support women, and so what we want to do is-reach women on campus-college campuses so that, when they get pregnant, they can find housing. They can find money they need to stay in school.
I'm out about my misogyny. Most men are misogynists, and most women are feminists. I work with a lot of women. They have their finger on the pulse of things. But women do things to other women that men would never do to other men.
My books were attacked constantly by the Communist Party for not hewing to the Party line. I have never hewed to a Party line of any kind.
But women do not say 'We', except at some congress of feminists or similar formal demonstration; men say 'women', and women use the same word in referring to themselves.
Feminists have convinced themselves that any difference between men and women is oppression and that women in the United States are an oppressed minority. This is such a lie. American women are the most fortunate class of people who ever lived on the face of the earth.
We all know what feminists are. They are shrill, overly aggressive, man-hating, ball-busting, selfish, hairy, extremist, deliberately unattractive women with absolutely no sense of humor who see sexism at every turn. They make men's testicles shrivel up to the size of peas, they detest the family and think all children should be deported or drowned.
You have very accurately described the difficulty of presenting my books on film: many of my characters are alone most of the time, and when they do talk, what they say is mostly lies. That can make for a pretty confusing film.
I always feel that crime films are about capitalism because it is a genre where it is perfectly acceptable for all the characters to be motivated by the desire for money. In some ways, the crime film is the most honest American film because it portrays Americans as I experience a lot of them, in Hollywood, as being very concerned with money.
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