A Quote by Liz Murray
If I had a magic wand, I would live in a building in New York, big enough so my friends, my family could all have apartments in it. We'd raise our kids in the same space and have backyard barbecues and get old and fat together.
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I wouldn't say that a big family is for everybody, and I've brought my kids, for example, to New York City, and I can tell you it's much harder to raise that number of kids in a city like New York than it is to raise them in rural Wisconsin where I live.
When we talk about something like student loans, what we should be talking about is the fact that every American wants their kids to do better than we have done. If we can get that, the other thing we'd really like is for our kids to be able to come home and raise their kids in the community where we raised them. What unites all of us, no matter where you live in the country, is we want our family to be safe, we want the next generation in our family to be more successful than us, and we would like our family to be close together.
Let me offer you, metaphorically, two magic wands that have sweeping powers to change society. With one wand you could wipe out all racism and discrimination from the hearts and minds of white America. The other wand you could wave across the ghettoes and barrios of America and infuse the inhabitants with Japanese or Jewish values, respect for learning, and ambition. ... I suggest that the best wand for society and for those who live in the ghettoes and barrios would be the second wand.
If there were, say, only 10 percent of the hotels that exist now, there would be all these apartments for people who live in New York, as opposed to people visiting New York. And then all this junk in the theater, we would no longer need the kind of stuff that tourists like.
Where would we be without our friends? Honestly, every friend is so unique and special. I have my friends back in New Zealand, I have my friends in New York and California. Then you have your friends who are your family. Barbara Palvin falls into that category. I have a lot of love for all my friends.
Where would we be without our friends? Honestly, every friend is so unique and special. I have my friends back in New Zealand; I have my friends in New York and California. Then you have your friends who are your family. Barbara Palvin falls into that category. I have a lot of love for all my friends.
New York was always more expensive than any other place in the United States, but you could live in New York - and by New York, I mean Manhattan. Brooklyn was the borough of grandparents. We didn't live well. We lived in these horrible places. But you could live in New York. And you didn't have to think about money every second.
I'm addicted to New York, and I like L.A., as I have kids there. Sometimes I think New Mexico is the one place where I could almost live there. It helps your acting; there's magic in that place.
One thing I had on my side when it came to How to Make It in America is that I'm a born-and-raised New Yorker. Filming in New York... I'm so thankful and humbled by the whole experience. A lot of it takes place in old neighborhood; I'm an East Village kid, so I get to see my old friends from the neighborhood, my family still lives there.
I doubt I'll ever do another book collaboration; I've been spoiled. Roger and I both happened to move to New Mexico at about the same time, when we each had a family of young kids to raise. Socializing seemed to lead naturally to working together.
I live in a high rise with my family part of the year in New York and I don't know three quarters of the people in the building. We live in the same square-footage and I wouldn't know who they were.
I think it was in the Rose Garden where I issued this brilliant statement: If I had a magic wand -- but the president doesn't have a magic wand. You just can't say, 'low gas.'
From the time I was 9 years old, I loved magic. I was an only child, and I think that had a big impact on me. I always had grown-up friends even though I was a little kid. I would take the train from Lido Beach into Manhattan, and I'd hang out in magic shops.
The first theatre I ever found was in the backyard of a new suburban community in the foothills of the Poconos. My dad was a young FBI agent at his first or second posting - we're all from New York. He was posted in Scranton, Pennsylvania and he put the family in a brand new red-brick apartment. It was in a C-shape and behind it was a small hill that led up to the woods. There was a white-washed brick wall that was a perfect theatre! There were windows and all the ladies behind the windows in their apartments. I would go out there after lunch every day and sing opera.
In bed that night I invented a special drain that would be underneath every pillow in New York, and would connect to the reservoir. Whenever people cried themselves to sleep, the tears would all go to the same place, and in the morning the weatherman could report if the water level of the Reservoir of Tears had gone up or down, and you could know if New York is in heavy boots.
When I was growing up in New York, we were the anomaly. Our family stayed, but back then families didn't stay. Once you had a second kid, you immediately left, so the kids could run around outside.
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