A Quote by Lynn Shelton
We're all flawed, and we all make mistakes, and we all have weaknesses. And those are the kind of people I want to see onscreen, the ones that feel like real flesh-and-blood human beings and not the weird, whitewashed, Hollywood stand-ins for people with the rough edges sanded off that I can't connect to because they just don't resonate with me.
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It's easy to smile just to make other people feel better. But when a person fakes happy, it has edges. Regular people may not see, but the people who count, they can see the edges and the lines where your smile ends and the real you, the sadness (me) or the anger (Grandma) begins.
With the royal family, you don't want to see them as people because it takes the sheen off. They're distant; you can idealize them. But there's room to have compassion for people and see them as human beings. Just because they're royalty, it doesn't mean they don't love or feel loss or feel pain.
With the royal family, you don't want to see them as people because it takes the sheen off. They're distant, you can idealize them. But there's room to have compassion for people and see them as human beings. Just because they're royalty, it doesn't mean they don't love, or feel loss, or feel pain.
I do what I do to inspire people. They can't be inspired by an ego, a big-headed person. It doesn't work. It doesn't match. And I really want to be that role model for people, for children. I want to be real. To my fans, I want them to view me as a real person. Don't put me on a pedestal. I'm human. I make mistakes, I cry, I hurt - just like you.
Kids don't want stand-ins on parents' weekend, no matter how much they might love those stand-ins. They don't want stand-ins to talk to about their teachers and their upcoming history final and the latest computer program idea they've come up with.
The FBI that I see is people, decent people, committed to the highest principles of dignity and professionalism and respect... Now do we make mistakes? You bet we make mistakes, just like everybody who's human makes mistakes.
I feel like people make such a big deal out of sexuality. It's so weird to me, because at the end of the day, it's just about soul connection. It's just about who you connect with.
Why would anybody connect to someone who has everything going for them? It's the person who has faults that people want to connect to. So people identify with certain insecurities on stage and just by me talking about my diabetes people come up to me after the show and tell me "Gabe, my blood sugar is out of control and I feel you". That's the first thing they say, they say "I feel you!".
I don't understand why people take Beyonce so seriously. You don't feel like there's a living, breathing person. It's not flesh and blood. It's just flesh and flesh.
So I came to my Christian faith later in life, and it was because the precepts of Jesus Christ spoke to me in terms of the kind of life that I would want to lead. Jesus Christ dying for my sins spoke to the humility we all have to have as human beings, that we're sinful and we're flawed and we make mistakes, and that we achieve salvation through the grace of God.
Most people have a hard time confronting their weaknesses in a really straightforward, evidence-based way. They also have problems speaking frankly to others. Some people love knowing about their weaknesses and mistakes and those of others because it helps them be so much better, while others can't stand it.
People complain not because something sucks. People complain because they're looking for empathy and to feel connected with those around them. Unfortunately, complaining is maybe the least useful way to connect with other human beings.
In the best stories, people are morally complex; they are flawed. We read them because the world is flawed, and we want to see it truthfully represented. And because it can be thrilling to be shocked and upset, and even to feel, for chilling moments, what it's like to be a bad person.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
I was one of those weird children that just couldn't talk to people, so I kind of had to make myself be not like that because I knew it was going to hinder me.
'Citylights' is for those people who know a lot but don't feel at all. It's time for them to feel, and this film will make those people, who know so much, feel because feeling is the life blood of human race, which is disappearing.
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