A Quote by Lynne Ramsay
I'd get people asking me about my terrible, poor childhood which, in fact, was very normal, and I'd think, would you be as interested in me if I'd grown up in Surrey? And it surprised me how much I resented that.
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You would be surprised how many people that are very passionate about classical music are deeply involved in Hip Hop. You would think Jazz would be the natural associative, but it's extraordinary what kind of crossed-genre associations we are finding in digital media. And even as I'm talking about it, I find myself speaking very much more about how people are accessing that which, what I do, rather than me being preoccupied trying to market something that I do to them.
Even when I was a model, I was like, 'How am I doing this?' I think it's partly that I've grown up in a normal place, living a very normal working-class life and this doesn't happen to people like me.
In London I'm out and about all the time. I walk everywhere, so people do recognise me and they've probably seen me before so they're not bothered anymore. But I think that's a good thing because if you try and remain mysterious people are surprised when they see you. With me, I think they're just bored of seeing me - but that suits me just fine because I like to live as much of a normal life as I can. That's why I love living in London. People are very respectful of your privacy. If they see you having a coffee in a coffee shop, they're not going to interrupt you.
Nobody wants to make me a rich man. In fact, most people want to make me a very poor man. I can guarantee some people fantasize at night about how poor they can make me.
I assumed just from being around, all these years, that people would immediately glom on to, Well, it's a departure, and it's a dystopian kind of thing, and that's natural, of course. But it's surprised me - not even surprised me, but it's pleased me - how much people have been responding to the way the book was written.
I don't like to think that people recognize who I am when I'm out and about, and anyone who comes up to me in real life can testify that I suddenly clam up and get very nervous. People asking me for my autograph in H&M was beyond surreal.
I'm a counterpuncher. I don't have a choice. If you look what they say about me, it's terrible. I mean, they say terrible things about me. Bobby Jindal - I mean, you talk about lightweights, this guy is a real lightweight. And he hit me - I don't even know this man - and he hit me because - and they're not hitting me on fact. They're hitting me in order to try to pick up something in their polls.
I think we were all honestly very surprised at how the car community took it all and how often it is that people will walk up to me and tell me 'your brother's the reason I'm into cars.' I didn't have a grasp of that. And I know Paul didn't.
When we're on tour, probably we don't go 24 hours without someone asking us where we came up with the name They Might Be Giants. Which, on one level, seems like a completely legitimate question. If I think of other bands, like The Beatles, it would explain to me that John Lennon had a proclivity for slightly cheap puns. But I'm not sure how much insight that would give me into what's actually good about The Beatles' music.
It is a surreal life living on a television series set, and especially when I go out in public. I have people who recognize me and will come up to me, saying how much they enjoy seeing me, asking for a picture, and I still think to myself, "Uh, why?"
There are people who must spend huge amounts of time composing these online diatribes against me, all about how disgusting and terrible I am and how no one should ever read my books, and it's not enough for them to hate me, they can't stand the fact that ANYONE likes me!
When I first started to do fashion shows I didn't have the budget to hire top models so I would cast women who inspired me, and ask them to walk how they walked. I was doing a mise en scène, which for me was normal. I love for people to see my clothes, but it was more about the attitude of the girls. The revues of the late 19th century/early 20th century were very much a reflection of what was happening in society and politics, and for me that is also the role of the fashion designer.
Some of my colleagues are surprised by how little personal interaction I've had with "my" authors, but I don't translate to go fishing for friends. Part of me suspects that they wouldn't like me, or that I wouldn't like them, which would inevitably get in the way of the mission. None of the theory built around translation matters to me anyway: much of the process, I find, is intuitive.
I was very curious, that's why I think my reality TV seems normal. I watch a lot of reality TV because I am so interested in people and observing people. From a very young age I can remember watching a woman with a guy and she's rolling her eyes and he's pleading with her and I would think, she doesn't want to be with him, he's in love with her, she likes this other guy and I would make up these stories in my head about these people. That helps me sort of profile people and that is a key to being able to read people.
I'm used to being in front of camera and knowing what to think. But if you're asking me to be me, I get very self-conscious. My job isn't to be me. Being an actor, people think you can do a eulogy at a funeral, a speech at a wedding. I find all that very nerve-racking.
Don't speak to me about your religion; first show it to me in how you treat other people. Don't tell me how much you love your God; show me in how much you love all God's children. Don't preach to me your passion for your faith; teach me through your compassion for your neighbors. In the end, I'm not as interested in what you have to tell or sell as I am in how you choose to live and give.
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