A Quote by Mahesh Bhatt
With larger-than-life films, you are lifted from your mundane, ordinary life because you empathise with the hero, and people see themselves in him.
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There are a lot of discussions where people will decide that James Bond is a superhero, because he's a larger-than-life hero who beats the bad guys by doing larger-than-life things. And I don't think that's a useful definition.
It was actually a lot more helpful to have Calvin Hart, a cop, as my template. He was also my technical advisor on Shaft. This time, I kinda got to go to Jersey City with him, and hang around, and watch him interact with other cops, people in the projects, and see what it means to be him. People call him 'Big Daddy' and he's this larger-than-life hero to a lot of people.
Actors ought to be larger than life. You come across quite enough ordinary, nondescript people in daily life and I don't see why you should be subjected to them on the stage too.
I need a hero, I'm holding out for at hero 'till the end of the night He's gotta be strong and he's gotta be fast And he's gotta be fresh from the fight I need a hero, I'm holding out for a hero 'till the morning light He's gotta be sure and it's gotta be soon And he's gotta be larger than life, larger than life
In Telugu filmdom, audiences like to see their hero dance, fight and play a larger-than-life character. It's precisely why most of our commercial films do extremely well and get remade too.
He walked down the corridor, lined with his soldiers, who looked at him with love, with awe, with trust. Except Bean, who looked at him with anguish. Ender Wiggin was not larger than life, Bean knew. He was exactly life-sized, and so his larger-than-life burden was too much for him. And yet he was bearing it. So far.
It became inevitable that television would address life's mundane problems because television itself is so mundane, part of the ordinary flow of time the way those problems are.
You don't have to be larger than life to be a hero, just larger than yourself.
I think some people are not interesting to themselves. They're the sad, resigned folk. When people call themselves ordinary - "I'm just an ordinary person" - you do wonder what they mean, because people who call themselves ordinary occasionally turn out to be serial killers. Beware of those who say they're ordinary.
American films look at films with a larger than life attitude while the French films look at life as it is.
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
I am here to seduce you into a love of life; to help you to become a little more poetic; to help you die to the mundane and to the ordinary so that the extraordinary explodes in your life. .
I don't want to be considered a hero.... Imagine young people would grow up with the feeling that you have to be a hero to do your human duty. I am afraid nobody would ever help other people, because who is a hero? I was not. I was just an ordinary housewife and secretary.
When you see the violence of Hollywood movies, there is a tendency that the hero is combating and confronting many people, without much harm to himself. But in my films, the hero takes a lot of hits so the very act of the hero being the one on the receiving end, makes the audience cheer and connect with him.
A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture - in literature, art, theater, or the daily newspapers.
When you play an anti-hero, it is a task to make people empathise with your character.
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