A Quote by Manobala
Television is a great medium for actors to connect with the audience. Especially on the fiction front, we can gauge and get instant feedback, which helps improve our skill sets over time.
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When you're doing a play, you're onstage, there's no stopping or starting, there's no stopping to reposition for the camera or have a check done. You're there 'till the end of the show. What that gives you is a great gift, which is to command the audience, and you get to play with your script and your fellow actors. Every night, it's different. Hopefully it goes well and you get a great response. But the technique that you have to have on film or television is so delicate. It's fine-tuning. That is very different from being onstage, but they both have important skill sets.
I'd say working on television is much, much tougher than films. But television has a great connect with a live audience, which is a refreshing change for us actors.
I think television has become such an interesting place for characters and for incredible storytelling. Half of what I watch are television shows that I've become obsessed with. I just think that it's opened up so much, to be such an interesting and creative medium, and so many wonderful directors and actors are moving to television because it is a great medium for telling stories and for creating a character over a long period of time.
I have worked on television and love the medium for its connect with the audience.
Performing in front of an audience gives you an extra ten per cent energy and the chance to react to the instant feedback.
WWE definitely gives you the forum, the stage to do different things and see what works. That's the cool thing about being in front of a live audience every single week in WWE. You get instant feedback.
Each medium has its own beauty and way of working. While television offers immense reach and long-running shows, films are shorter and they are presented differently. With theatre, it's the thrill of instant feedback.
[An audience conditioned by a lifetime of television-watching is so corrupted that] their standards have been systematically lowered over the years. These guys sit in front of their sets and the gamma rays eat the white cells of their brains out!
Now, all America sits in front of television sets and those television sets exude, I am sorry to say, a considerable amount of radioactive material. It's not huge, you know, but it's enough so that people who have made a habit of watching TV ... get the TV radiation.
Every little opportunity and chance that I get to be on a set, to be a director, to utilize the skill sets that I already have and to learn what I don't know, and to see how I can improve upon that is just a really great opportunity for me.
I love the idea of finding new talent, however you do it, and the television mechanism - seeing artists grow and rise to the occasion - is a medium that actually works because there's a way for the audience to get to know an artist and for the artist to improve.
Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.
The stage is bigger than life. There you are projecting to an audience. In television, you're drawing the camera in to you. And with TV, there isn't that immediate feedback from an audience. You do hours and hours of taping and never get that response.
I wasn't able to articulate it until after audience members gave feedback. And then, similarly, when we talked about the bromance being unique, I don't think Mark, Jay, and I really saw how special that aspect of that bromance was until our audience members sort of gave us feedback and let us know, "Hey, we've never seen a bromance like this before on television."
Yaar, television has become a very exhausting medium for actors now. It's like you are racing against time in the race for TRPs, which can be very saturating.
I don't want to admit it, but I do enjoy the feedback from the audience. It's instant feedback. It's like, you could do a movie, shoot it for a year, wait six months, it comes out and you gotta do three weeks of marketing. Three weeks of that, and everyone goes, 'It sucks.'
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