A Quote by Marissa Mayer

Your rhythm is what matters to you so much that when you miss it you're resentful of your work...So find your rhythm, understand what makes you resentful, and protect it.
A pop song is a condensed version of a life in three minutes, whereas, when you go to write your prose, you have to find the rhythm in your words, and you have to find the rhythm in the voice that you have found and the way you're speaking.
Whether in music or in fiction, the most basic thing is rhythm. Your style needs to have good, natural, steady rhythm, or people won't keep reading your work.
Your voice sounds completely different in different languages. It alters your personality somehow. I don't think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
The first day's always the hardest, because it moves so much faster than a film does and once you get into that rhythm, though, you feel like you've accomplished so much in such a short period of time, so there a bit of comfort in that. You just have to find your rhythm.
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
Action choreographer is like talking. When you talk, you have a rhythm. When you act, you have a rhythm. When you're moving your body, you have a rhythm. So as an actor, as a choreographer, the objective is trying to blend everything in - into - ultimately back into that character.
Organic'... means that the work is an extension of your blood and body: it has the rhythm of nature. There exists a state of feeling that when you reach it, when you hit it, you can't go wrong. The work carries a body rhythm. You can't do the slick... the gimmicky or dishonest.
I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it … Interviewers have said, you like jazz, don’t you? Because we can hear it in your writing. And I thought that was a compliment.
There's art in rhythm playing. Just find it. Make your own art. Find your place, and when it's your time to solo, it's your time to shine.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
Rhythm is everything in boxing. Every move you make starts with your heart, and that's in rhythm or you're in trouble.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
Writing is so much about rhythm. If you've got another rhythm in the room, it spoils the rhythm of the words.
People tell me I'm a comedian, but I don't approach acting from that perspective. I do know that everything in life has to do with your timing and perception. You have to be comfortable with the rhythm that you're in. You can't just jump into a fast rhythm if yours is slow. You might have to pick up the pace but in your own particular way. It has to do with personality, too.
Any time you sit out, it could throw off your rhythm a little bit, and I'm kind of a rhythm player.
The rhythm of being an activist today involves a pretty simple rhythm. You have to open your eyes to the reality before you. You have to look and see.
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