A Quote by Matthew Quick
I will not be quoting Hemingway anytime soon, nor will I ever read another one of his books. And if he were still alive, I would write him a letter right now and threaten to strangle him dead with my bare hands just for being so glum. No wonder he put a gun to his head, like it says in the introductory essay.
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I remember that the single most vicious letter I ever read was the letter Hemingway wrote Scribners when they asked him to give a blurb for From Here to Eternity. It's there, in the Selected Letters for all to read, an example of a once great writer at his very worst. I doubt that he ever forgave Scribners for publishing James Jones in the first place. War, as Hemingway saw it, belonged to him.
If you annoy the Hog-nosed Snake enough, he will roll over on his back and play dead. If you turn him right-side up, he will roll over to prove that he is dead... While he is playing dead, you can go straight up to him and step on his head or smash him with a big club.
I reached out to [Brett Favre] early on; sent him some of my books and a letter. Then I had two or three arranged times with him, and was blown off. Then I sent him another letter, and he sent me a text, explaining that he didn't wish to talk. I'm not mad - it's his right, obviously. Plus, his family members were amazingly open and cool.
What do you think would happen if we kissed right here, right now?" he asks, digging his hands into the pockets of his khaki pants, grinning right back at me. "I think it would cause a riot." "Well, you know me," he says, lowering his head towards me. "Causing a riot is what I do best." Santangelo approaches before Griggs gets any closer and pulls him away. "Are you guys insane?" he says, irritated. "It's called peaceful coexistence, Santangelo. You should try it and if it works we may sell the idea to the Israelis and Palestinians," I say, throwing his own words back at him.
Outside his office my father had a framed copy of a letter written by Abraham Lincoln to his son's teacher, translated into Pashto. It is a very beautiful letter, full of good advice. Teach him, if you can, the wonder of books...But also give him quiet time to ponder the eternal mystery of birds in the sky, bees in the sun, and the flowers on a green hillside, it says. Teach him it is far more honorable to fail than to cheat.
Teach your scholar to observe the phenomena of nature; you will soon rouse his curiosity, but if you would have it grow, do not be in too great a hurry to satisfy this curiosity. Put the problems before him and let him solve them himself. Let him know nothing because you have told him, but because he has learnt it for himself. Let him not be taught science, let him discover it. If ever you substitute authority for reason he will cease to reason; he will be a mere plaything of other people's thoughts.
Wrong' training can be a very innocent thing. Consider a father who allows his child to read good books. That child may soon cease to watch television or go to the movies, nor will he eventually read Book-of-the-Month Club selections, because they are ludicrous and dull. As a young man, then, he will effectually be excluded from all of Madison Avenue and Hollywood and most of publishing, because what moves him or what he creates is quite irrelevant to what is going on: it is too fine. His father has brought him up as a dodo.
...and Jack, who felt like he was on the cusp of being able to read minds and thought it would be all right if Luce wrote him down for that. ("I sense that you're okay with that, am I right?" He made a gun out of his fingers and clicked his tongue.)
The skeptic says that the believer has lost his own mind under God. On the contrary, it is the people who follow God who are most like his children, who willingly and consciously walk in his will; but those who oppose him oppose him vainly and at their own expense, and, figuratively, seem to be more like his tools. They don't diminish his glory, but instead he still manages to use them in ways of unconsciously carrying out his will.
There are three infallible ways of pleasing an author, and the three form a rising scale of compliment: 1, to tell him you have read one of his books; 2, to tell him you have read all of his books; 3, to ask him to let you read the manuscript of his forthcoming book. No. 1 admits you to his respect; No. 2 admits you to his admiration; No. 3 carries you clear into his heart.
And he arose and came to his father. But while he was still a long way off, his father saw him and felt compassion, and ran and embraced him and kissed him. And the son said to him, 'Father, I have sinned against heaven and before you. I am no longer worthy to be called your son. But the father said to his servants, 'Bring quickly the best robe, and put it on him, and put a ring on his hand, and shoes on his feet. And bring the fattened calf and kill it, and cet us eat and celebrate. For this my son was dead, and is alive again; he was lost, and is found.' And they began to celebrate.
The master says it's a glorious thing to die for the Faith and Dad says it's a glorious thing to die for Ireland and I wonder if there's anyone in the world who would like us to live. My brothers are dead and my sister is dead and I wonder if they died for Ireland or for the Faith. Dad says they were too young to die for anything. Mam says it was disease and starvation and him never having a job. Dad says, Och, Angela, puts on his cap, and goes for a long walk.
Every child in America should be acquainted with his own country. He should read books that furnish him with ideas that will be useful to him in life and practice. As soon as he opens his lips, he should rehearse the history of his own country.
Who shall blame him? Who will not secretly rejoice when the hero puts his armour off, and halts by the window and gazes at his wife and son, who, very distant at first, gradually come closer and closer, till lips and book and head are clearly before him, though still lovely and unfamiliar from the intensity of his isolation and the waste of ages and the perishing of the stars, and finally putting his pipe in his pocket and bending his magnificent head before her—who will blame him if he does homage to the beauty of the world?
I suppose he'll die soon. I'm expecting it, like you do for a dog that's seventeen. There's no way to know how I'll react. He'll have faced his own placid death and slipped without a sound inside himself. Mostly, I imagine I'll crouch there at the door, fall onto him, and cry hard into the stench of his fur. I'll wait for him to wake up, but he won't. I'll bury him. I'll carry him outside, feeling his warmth turn to cold as the horizon frays and falls down in my backyard. For now, though, he's okay. I can see him breathing. He just smells like he's dead.
Neither dead nor alive, the hostage is suspended by an incalculable outcome. It is not his destiny that awaits for him, nor his own death, but anonymous chance, which can only seem to him something absolutely arbitrary. He is in a state of radical emergency, of virtual extermination.
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