A Quote by Mike Leigh

Independent filmmaking has always been there and it's not to be forgotten. — © Mike Leigh
Independent filmmaking has always been there and it's not to be forgotten.
Sometimes it's hard for me to tell the difference between independent filmmaking and studio filmmaking because all the studios have these little independent satellites. It's interesting.
I'm very influenced by documentary filmmaking and independent filmmaking, by a lot of noir and films from the '40s. Those are my favorite. And then, filmmaking from the '70s is a big influence for me.
I'm a proud filmmaker, but everyone seems to have forgotten that. You're introduced, and someone will say, 'Arrey! Karan Johar! He does talk shows! He's judge!' And now my filmmaking has been lost, all my other accomplishments forgotten.
With filmmaking in general, I have never absorbed the traditional knowledge of film history or filmmaking. It has always been just pick up the camera and go figure it out.
There's always been this strand of filmmaking in Britain which is like socialist neo-realism. That's always been there. I've never been part of that, really; I've been much closer to fantasy.
I won because of the fact that people that are great, great American people have been forgotten. I call them the forgotten man and the forgotten woman. They've been forgotten.
What has been forgotten is never something purely individual. Everything forgotten mingles with what has been forgotten of the prehistoric world, forms countless, uncertain, changing compounds, yielding a constant flow of new, strange products.
As the world of independent feature filmmaking became increasingly commercialized by the mid-1990s, there was also a parallel, much more positive development: a resurgence in documentary filmmaking, thanks in part to the advent of the cheaper, lighter digital format that helped to offset the daunting costs of pursuing political aims through film.
I've always been attracted to independent women, but the idea that someone could be independent and still kind of put herself second at times was pretty interesting.
Having been an actor, I always want to leave room for the actors to find their comfort zone, so I don't like to be too rigid in how I plan my shots. It's different if you have weeks to rehearse and you can rehearse on your sets or in your locations and you can plan that out with your actors, but in modern independent filmmaking, you don't really have that time. You have to have a certain level of improvisation.
I love independent filmmaking. I don't agree with a lot of it, but that's the point.
Independent filmmaking burns off a lot of storytelling fat.
That's what independent filmmaking does: it gives the underdog a voice, a shot.
In the world of independent filmmaking, you're never quite sure what's happening when and where.
Most have been forgotten. Most deserve to be forgotten. The heroes will always be remembered. The best. The best and the worst. And a few who were a bit of both.
I feel 100% sure that I have the career that I have today because of independent filmmaking.
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