A Quote by Mike Leigh
The problem with the British film industry is the nervousness and insecurity about - and genuflection toward - Los Angeles.
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I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I went to Los Angeles and enrolled in a production course at the University of California, Los Angeles. In the morning I attended industry meetings and in the evening, I would go for the course.
I love Los Angeles, and I've secretly always wanted to do a song about Los Angeles, but it's a hard thing to pull off.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
I can go years without going to Los Angeles, but I think my living in Brooklyn is critical to my continuing to have a fairly happy life in the film industry.
The problem with the British film industry is that it's really the American film industry, or a small branch of in lots of ways because of the common language. But it's great to see some individual voices still there. I think I probably gravitate towards a slightly more European, auteur model rather than the studio thing. I think it would be great if British films were a little bit more auteur driven.
I am proud to be in Los Angeles. I have a lot of fans that love me here. When you talk about the Meccas of boxing - Las Vegas, New York - now you have to talk about Los Angeles.
The Board of Inquiry report fails to recognize that the central problem in the Los Angeles Police Department is the culture. The reality is there will not be meaningful reform in the Los Angeles Police Department until the culture is changed.
We've got the prettiest girls in the world here in Los Angeles and there's a great music scene. And I learned what I learned about cinema here in Los Angeles so it's always been really important to me as a city to live in and I love making movies about it.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
Los Angeles is much like Mumbai, the film industry rules the city over most other professions, so it feels like home.
I have always thought we should think less about the British film industry as an entity, and more about getting British talent working.
Since I have spent many years of my life living in Los Angeles, and since I'm also in the music business, I know that much more is talked about in Los Angeles than ever really occurs.
Los Angeles has always been overlooked as far as jazz, and just high-level music in general. But, like, my dad's a musician, so I've grown up around so many brilliant musicians that nobody outside Los Angeles knows about.
People say, "How do you get into the British film industry?" There is no British film industry, there are just people making films and finding their own way. It's not like in the States where there are studios and there's an actual infrastructure to it; there's just nothing here. You make it from scratch a lot of the time.
In the late 1930s, both the British and American movie industries made a succession of films celebrating the decency of the British Empire in order to challenge the threatening tide of Nazism and fascism and also to provide employment for actors from Los Angeles's British colony. The best two were Hollywood's Gunga Din and Britain's The Four Feathers...
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