A Quote by Morten Tyldum
'Headhunters' was a breakthrough film for me, internationally, and I got offered a lot of scripts from Hollywood - a lot of heightened hero movies.
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As a filmmaker, I don't want to limit myself to one kind of movie. After 'Headhunters,' I went to Hollywood and read a lot of scripts: lots of action thrillers and heist movies, and superhero films.
When you see the violence of Hollywood movies, there is a tendency that the hero is combating and confronting many people, without much harm to himself. But in my films, the hero takes a lot of hits so the very act of the hero being the one on the receiving end, makes the audience cheer and connect with him.
I grew up looking at... going to the movies a lot, as much as they'd let you. I grew up in Manchester in the north of England in the '40s and '50s. I saw a lot of movies. They were all Hollywood and British movies. I didn't see a film that wasn't in English until I was 17 when I went to London to be a student.
I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.
Headhunters is a popcorn flick - you can laugh and shout and do whatever you want having great fun. But at the bottom of it all there's this theme of being honest to the people you love. I want to be that. And if Headhunters is one of the movies that help me realise that, then that's perfect.
I remember in Indonesia, there was this actor in a film that got pretty big internationally, and he went to Hollywood. Seeing an Indonesian guy doing that when I was 13 or 14, it really motivated me.
The irony is I did an intimate film in France with no stars and that got me to Hollywood. It got me to the Oscars. If I had tried to imitate the Americans or the Hollywood movies with a commercial recipe, I'd never have gotten to Hollywood. Although, it was not my goal in any way, and I never thought there was any connection between Monsieur Lazhar and the Oscars.
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies.
I was really involved with other people's opinions of me, and it got heightened during my film career. I don't have any opinion, good or bad about it, it just was. It's not the way I feel now, and I think yoga has a lot to do with that.
Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
After my film 'The Tale of Two Sisters,' I received a lot of offers from Hollywood to direct, but because 'A Tale of Two Sisters' was a horror film, I received a lot of horror films. But I wasn't interested in working in the same genre, and the scripts I received for films in different genres were for projects that were near completion.
I was at the National Film School and was a cinematographer there. I got quite a lot of experience on documentary film-making and with directors who were interesting - maybe they weren't using scripts or were using non-actors.
The journey after Katrina, it opened a lot of doors for a lot of people. Coming from a rooftop to going to Hollywood and around the world, internationally teaching people about bounce music, definitely God is good and amazing about what he can do with your life.
All over the world there are a lot of distributors that have the equipment for 3D but they don't have the movies really. The only source of 3D movies is Hollywood. Only Hollywood sends the 3D movies. So it was an option.
During the '90s, a lot of us in the indie film world were not making our money off our movies. We were screenwriters doing scripts for hire for studios.
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