A Quote by Nicolas Winding Refn
It was a very comfortable and personal relationship [Cliff Martinez ].'The Neon Demon'is our third movie and the music has never been as important as for this movie.
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The first person I ever described the film [The Neon Demon] to was Christina Hendricks [who has a cameo in the movie]. We were having dinner in LA and she asked me what I wanted to do next and I said, "I want to do a horror movie." And she goes, "What's it going to be about?" And I said, "A lot of blood and high heels."
Music is very, very important in my movies. In some ways the most important stage, whether it ends up being in the movie or not, is just when I come up with the idea itself before I have actually sat down and started writing. I go into my record room... I have a big vinyl collection and I have a room kind of set up like a used record store and I just dive into my music, whether it be rock music, or lyric music, or my soundtrack collection. What I'm looking for is the spirit of the movie, the beat that the movie will play with.
The 'Neon Demon' is very much designed to be like a YouTube movie. It's designed to be chopped up. You can cut it up into seven or eight pieces and they're, like, vignettes.
I remember Tetro was a big deal to me at that time. It was going from zero to one: Never having been in a movie, a person who had no relationship to any of that, and that was my first movie.
We're premiering 'The Neon Demon' in Cannes, which is the representation of 'The Neon Demon,' which is all about glamour and vulgarity.
Jenna Malone was a very important piece of how the film [The Neon Demon] turned out.
Sometimes you do things for personal reasons. I made a very personal movie in We Are Marshall. I was afraid of flying, for a long time, and that's a movie about a plane crash.
I have a family. I'm married. I'm very, very happy. I wanted to make a movie for my wife and a movie that speaks to what it is to be in a long term, very, very committed relationship because at the heart that's really what it is.
I think what's fun of making a Transformers movie is that it gets to be all of the above. I think, thematically, this movie is ... because of the third movie, you can ask questions in this movie you couldn't ask in the previous films. Like I was referring to the fact that they were abandoned by humans in the previous film; their attitude is different, so we've been able to tackle different themes.
I love it in a movie when they throw a guy off a cliff. I love it even when it's not a movie. No, especially when it's not a movie.
I was very disturbed when Jesus found a demon in a guy, and he put the demon in a herd of pigs, then sent them off a cliff. What did the pigs do? I could never figure that out. It just seemed very un-Christian. Technically, I'm an agnostic, but I definitely believe in hell -- especially after watching the fall TV schedule.
My movie [The Neon Demon] is a hyper-version of the obsession with beauty. As this crazy obsession grows, longevity does not. Everything seems to become younger and younger. The girls and people around them cannibalize themselves.
I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of "Drive."
Everything I do is personal. I have never made a movie that didn't have very strong personal resonance.
Music plays a huge role in the movie. The music in Star Wars, I can't imagine what the movie would have been like without it. It made the film.
Each one [movie] is very important to us and from a fiscal responsibility, filmmakers understand that it's highly personal for us and they've been great about it.
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