A Quote by Nicholas Stoller
I like writing for other people. I love it. It's great because you write it and then you hand it off to someone else. But in terms of directing, anything I direct will be something I've written or re-written. I'm in no crazy rush to direct.
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Yeah, well I can't see a situation where I wouldn't at least re-write as a director something I was going to direct. At the moment, I wouldn't direct anything that I hadn't written. I can now say, as everybody else says, that it all depends on the script.
I definitely want to produce more because I have a bunch of projects that I've either written or half written and I want to continue developing them and if cant direct one right away cause I'm doing something else I will love to still see it get made.
I've written a lot of scripts that someone else directed, and it's absolutely vital that, if I'm gonna act in it, then I have to take off the writer hat and let the director direct.
I'm always writing, but directing takes priority over everything, unless the acting is a job that lifts that whole brand. If I get a part in a big film with a big director and I was going to direct one of my one films, I would take the former job because that job will only help anything that I then intend to do. I think in the long run, directing is the thing that will outlive everything else. Maybe that and writing.
I think I'll always want to write and direct. I'm interested in producing and helping other people tell stories. But I'm still in love with writing and directing.
I love bouncing my words off of someone else's, and the fact that writing a story with someone else guarantees you'll get something you never, ever would have written on your own.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
Eventually, I think I may end up directing. It would have to be the project where I think that I'm the person to direct it, and I don't know that that's happened yet. I certainly haven't written it, and I don't know if I've read that script yet where I was like, "Okay, I think I'm the guy that needs to direct this."
I love the idea of directing, I'm not confident enough, but I'm more confident in, well, I'd love to write. I've sort of written my whole life and I think I have a knack for it, so I'd like to write something and see what people think and that would be my first step to directing.
Writing and directing, to me, was the logical evolution from my life as an actor: going from telling someone else's story to actually creating my own. Perhaps one day I will do all three: write, direct, and act in the same production. That might get a little hectic, though.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
When I write a project, it might be something that I want to do and then when I look at it, I'm actually like, "I kind of don't want to direct it." I don't know why, I still love it enough for it to be made and to support it, but I don't want to direct it. I just give it to other directors and they do a good job!
I've written arrangements for choirs and strings in the past, but I usually write music with my voice or a keyboard and then I'll get someone who is good at writing scores to write it out. Or, if I have the luxury of time, I will go in a room and hear the people perform and then change it through what I hear, not on paper. I can read music OK, but I probably rebelled a little - music changes into something else when you read it.
You have to fire yourself as the writer when you direct something you've written. You have to fire yourself, or else you get precious about what you've written. You've got to open up and let the actors in, and re-conceive a lot of things.
I honestly never wanted to direct. It was only when I started to work on 'Alexander the Great' that I realized I had to direct. I saw something so specifically in my mind, I could not leave it to someone else.
I'm not so in a rush to direct just anything because I'm lucky that I can make a living so far as an actor and not have to worry about that as a director. And so I can be a little more choosy in things I direct.
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