A Quote by Patricia Riggen
I have a handicap in that English is not my first language. So even though I'm a writer, I don't write anymore because it's just harder in English.
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On the one hand, there is no question that English - frequently bad English - has become the universal language of scholarship. It is clearly a tremendous handicap for people outside of the United States, Britain, and Australia and a few other countries because few of them are native speakers, but we demand that they present and publish in English.
English has always been my musical language. When I started writing songs when I was 13 or 14, I started writing in English because it's the language in between. I speak Finnish, I speak French, so I'll write songs in English because that's the music I listen to. I learned so much poetry and the poetic way of expressing myself is in English.
Even though many Indians can read or speak English, for most, it is not their first language. At the office, we speak in English, but we consume our culture in our own language.
Having an interview in English is difficult for me, but acting in English is much harder. Because when I'm acting in English, if someone points out bad pronunciation or accent, I cannot focus on my emotions anymore, so it was very hard.
I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.
I always serve the writer first because I'm English trained, even though I'm American.
When you go to school in Holland you learn to speak English and write in English - but English is different from the Scottish language!
A lot of the demos I write are all in English, so releasing music in English isn't translating to English, it's just keeping them in English.
I just write like a grown man, because that's what I listen to. I'm not even speaking complicated English... I don't do five-syllable words, I don't do four-syllable words. This is English. Rudimentary English.
It's difficult for me to write in English as it's not my first language, but French is even worse because of my father's influence and because the comparisons that I - not even other people - would make.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
I'm trying to talk to my kids in Japanese, because I'm not a pro English speaker. My wife speaks to them in English. That's her first language. I don't want my kids to feel the same as me when I was studying English. It was so frustrating.
English was great because I could just write my opinion, and that was good enough. I was terrible in Math, even though I had amazing Math teachers. My favorite subject was either English or History. I had a really awesome high school education.
Most English speakers do not have the writer's short fuse about seeing or hearing their language brutalized. This is the main reason, I suspect, that English is becoming the world's universal tongue: English-speaking natives don't care how badly others speak English as long as they speak it. French, once considered likely to become the world's lingua franca, has lost popularity because those who are born speaking it reject this liberal attitude and become depressed, insulted or insufferable when their language is ill used.
Of course, English is a very powerful language, a colonizer's language and a gift to a writer. English has destroyed and sucked up the languages of other cultures - its cruelty is its vitality.
Literature belongs first and foremost to the language in which it is being written. The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.
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