A Quote by Pawel Pawlikowski
'The Restraint of Beasts' is a painful subject. We'd shot 60% of the film when I had to stop. The material looks great, like nothing I've ever done or even seen before. It could have been really great, definitely original.
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Nothing is so painful to the human mind as a great and sudden change. The sun might shine, or the clouds might lour: but nothing could appear to me as it had done the day before.
"I Wish It Could Be Christmas Every Day," which I actually recorded on "Quality Street" because I don't think anyone has ever covered it before. You hear it every single Christmas, and it is a great record. That's by Wizzard. It is a really great record, but I don't think anyone's ever covered it before, so I had to go it doing it differently. It's quite different from how the original goes.
If you look at all the great shot-blockers of all time, they had length, and they had instincts. Even when you look at guards, like Dwyane Wade. He's one of the best shot-blocking guards ever, and he has great instincts. He's kind of cat-like.
'Alien' is a C film elevated to an A film, honestly, by it being well done and a great monster. If it hadn't had that great monster, even with a wonderful cast, it wouldn't have been as good, I don't think.
It's more like Christmas, you know, when you get a shot in that looks great and it's exactly what you want. It's a great feeling, and there's nothing like it.
It [moviemaking] is not really done on a yearly basis. It's about how the material, and when the material comes in. If you develop your material and the script comes in great and you can attach a director and a cast and go off and make it, then I could make, I don't know, six [movies] a year. Or I could make one. It really depends.
I've never landed in a series that I could have dreamt in my life. That's why, when people say, 'Well what are roles you're dying to play?' I say, I don't even have such a list, because everything that's ever been great that I had a shot at came completely out of the blue. I could not have predicted it.
I would definitely say Zombie has been the best time I've ever had. It is just so great and so fun because, you know, we all get along so well, and, you know, it's just like, everybody, we're just all friends here, and we're just having a really, really, really great time.
When Sônia [Braga] talked about the script in detail, it was as if she had seen the film [Aquarius] last night, even though it hadn't existed yet. It was a completely bulls - t-less reaction, so I knew it had to be her, and she has been great ever since.
I'd never studied film. I had movies that I loved and movie stars that I looked up to, but I really had not seen a lot of the great classic films that he felt like he wanted me to see before I took on such a huge role.
I am only a physicist with nothing material to show for my labours. I have never even seen the ionosphere, although I have worked on the subject for thirty years. That does show how lucky people can be. If there had been no ionosphere I would not have been standing here this morning.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
There might be people who have never even tweeted before who are just working on their great American tweet. It will be so good that we'll all have to stop Twitter right away. I would like to write the great American tweet. I don't think the great American tweet has been written yet. We'd know.
When Nick At Nite is showing George Lopez, it's not doing what I'm thinking. But yes, I even write in the book about how MeTV went to Vince Gilligan and had him present an evening of his favorite television. So it can be done, but I think it can be done on a really large scale. The television of Dennis Potter, most of it hasn't been seen in this country. And that's just one example - it's a very obscure example. There's plenty of great TV out there. There's more crap - but there's great TV, too.
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