A Quote by Renny Harlin
Sometimes you get involved in a film because you just love making movies and you want to keep working. Sometimes you're lucky enough to find something that you really care about. Therefore, now I'm emphasizing developing my own projects and writing my own screenplays, so that I can do exactly what I like to do.
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Part of why I wanted to produce was because I wanted the opportunity to work on projects I want to see. As a writer and as a director, I'm very specific about the kinds of things that I want to do. The opportunity that producing has given me is that by working with different writers and trying to get their movies made, or developing their script, or making their movies, every time I'm doing it, I'm learning and then bringing something to my own work. I like to think that there's a little bit of back and forth that goes on.
In film school, you get skills, but then you get lackey jobs, working on projects that you probably don't care about. And there's something in me where I just couldn't bring myself to edit some misogynistic rom-com or movies that I would have hated to be a part of. So I knew I just wouldn't get any work because of that.
I don't watch the movies I'm in - ever. Sometimes I keep pictures, but that's it. I used to watch my movies, because I didn't want to be rude to the people making them, but I stopped a few years ago. I think it's pretty common among actors. It's like listening to your own voice, but multiplied by a million.
I just like to express myself in the world around me. And I love writing, but sometimes it feels a little too minute. Sometimes, at the end of the day, there's just not enough colors involved - visually, there are just words on a page.
It's already not as easy, in the sense that interesting roles for girls and women tend to be few and far between. That's just the reality that I think most people would agree with. So that can be frustrating. I just get sent so many things that are like, "So, here's another story about a guy...." But that's just what it is. I'm kind of getting more excited about developing my own stuff, or getting involved early in projects and doing my best to make things that I care about happen.
My approach to making movies is different than other people, because I just write a lot of screenplays. I'm constantly writing screenplays.
If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
A franchise is dictated on the success of doing one film right, so if you can get it done correctly, you've got a chance of something else, but sometimes it just doesn't work that way. Ideally, it's insurance for the future; if you can do something, if you can find a character that people really do like, then you're very lucky.
There’s a need to perfect things in a writers’ room, and that can take a lot of fun out of a show sometimes. It’s a struggle. It depends on your personality. Some people love working with a writing staff. I had a great writing staff on Lucky Louie, but it sometimes felt like Congress or something.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
I was lucky enough to have made a tonne of mistakes and be kind of frustrated. I was working in the movies for 15 years before I did 'Paranormal Activity,' so I was lucky enough to have that experience. So instead of trying to make, like, 'Godzilla' after 'Paranormal Activity,' I said, 'Let's keep making inexpensive movies.'
Both my parents work in film. They're crew. I love movies, and I just wanted to be involved. I got really lucky. I auditioned for a while and then started making films.
I like to think I'm making films in the film business where movies are making enough numbers for the studios to let me keep working, but you also want those films to have content that makes you proud you made the film. That's not easy, but it's a fun puzzle to figure out.
The more I talk to people who are at a place I'd like to be at, whether its music or writing, or being a doctor or entrepreneur, sometimes you get lucky, and right away something happens. But for most people, the common denominator of success is just working really hard.
I definitely like not working sometimes. It's so fun. I just love sleeping in. In America, everyone is driven to succeed and wake up and do something. But I don't care. I want to sleep in. I want to relax. I don't want to have to get up every day.
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