A Quote by Rick Riordan

I looked across the river to Manhattan. It was a great view. When Sadie and I had first arrived at Brooklyn House, Amos had told us that magicians tried to stay out of Manhattan. He said Manhattan had other problems--whatever that meant. And sometimes when I looked across the water, I could swear I was seeing things. Sadie laughed about it, but once I thought I saw a flying horse. Probably just the mansion's magic barriers causing optical illusions, but still, it was weird.
So you can't live in Manhattan?' she asked. Amos's brow furrowed as he looked across at the Empire State Building. 'Manhattan has other problems. Other gods. It's best we stay separate.
I've lived most of my life in Manhattan, but as close as Brooklyn is to Manhattan, there are people who live there who have been to Manhattan maybe once or twice.
'Harlem River' is about the Harlem River in uptown Manhattan. I don't know much to say about it. I came upon that river a couple of years ago. I was doing a walk the length of Manhattan, from the top to the bottom, and I had never seen that river before.
I'm from New York. My grandparents were settlers of Long Island City. When they came here, there was no bridge, and they had to hire a boat across the river. They had a farm, and my grandmother had to go once a week to Manhattan to buy provisions - very primitive.
In 1964, when we first arrived in New York City, I remember vividly seeing the skyline of Manhattan, and our first proposal of 1964 was to wrap two lower Manhattan buildings. We never got permission.
I see murky visions of other gods and rival magic." That REALLY didn't sound good. "What do you mean?" I asked. "what OTHER GODS?" "I don't know, Sadie. But Egypt has always faced challenges from outside –– magicians from elsewhere, even gods from elsewhere. Just be vigilant." ~Ruby & Sadie Kane about...? Possibly Greeks?
I had never really felt settled in Brooklyn. I think it had to do with growing up in New Jersey and being someone who her whole life wanted to live in the city, and the city meant Manhattan.
My father didn't want to go to Manhattan for me, and I came to Manhattan and I have done a great job in Manhattan. And then I wrote a best-seller and I wrote numerous best-sellers.
We were alone in a strange mansion with a baboon, a crocodile, and a weird cat. And apparently, the entire world was in danger. I looked at Sadie. “What do we do now?
When I first got here, I thought L.A. sucked. I hated it. I had this pretentious Manhattan thing. But now I've made such a life here, and I'm so happy here. They're just really different places. I can't really compare them because there's great things about both of them.
In the case of Sadie Gibbs, fans were going, 'Have you seen Sadie Gibbs?' I'm like, 'Who the hell is Sadie Gibbs?' I looked into her work, and went, 'Wow, this is why these people are so into her.' She's very talented.
Manhattan streets with their powerful throbs, with beating drums as now, The endless and noisy chorus, the rustle and clank of muskets, (even the sight of the wounded,) Manhattan crowds, with their turbulent musical chorus! Manhattan faces and eyes forever for me.
Rotgut was, to me, just this way to get into the underground of Manhattan where you have these little pockets a villain could rise from; a rot in the bowels of Manhattan. It led to these stories that were just very creepy.
From the time I was 9 years old, I loved magic. I was an only child, and I think that had a big impact on me. I always had grown-up friends even though I was a little kid. I would take the train from Lido Beach into Manhattan, and I'd hang out in magic shops.
I played tennis at underneath - Brooklyn Bridge? Manhattan Bridge? Williamsburg Bridge? There are courts on the Manhattan side.
Once I saw Desjardins’ house, I hated him even more. It was a huge mansion on the other side of the Tuileries, on the rue des Pyramids. “Pyramids Road?” Sadie said. “Obvious, much?” “Maybe he couldn’t find a place on Stupid Evil Magician Street,” I suggested.
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