A Quote by Rico Love
I really was kind of like a musical nerd. I would watch VH1's 'Behind The Music.' That was heavy when I was a kid. I would sit up and want to watch that all day instead of going outside sometimes.
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I have three kids. Now they're all grown up, but when they were little, every time I would start a new project, they would say, 'So dad, are you making a movie we can watch or one we cannot watch?' That's the kind of stuff they would ask. People around me - family and friends - usually know when to watch and when not to watch.
Whenever I would see horror movies I would be traumatized and I'd have to watch them behind my hands or behind the couch sometimes. So I grew up first with authors like John Bellairs and R.L. Stine for kind of the young adult horror. But I found Stephen King in the sixth grade and that was it. I became a rabid fan.
I would love to do a musical. I would love that. I would have to find the right book, the right story, but some day I'm going to make one. I would really like to go off and direct a musical. That's what I would really like to do when I grow up.
I do watch some kind of terrible shows on VH1, 'Love & Hip Hop: Hollywood,' 'Basketball Wives.' Those are like my guilty pleasures. When I want to see some drama, I'll watch those.
When I was a little kid, my mother and I used to watch the Golden Globes and I would dress up and she would get sparkling apple cider and we would make a tray of hors doeuvres and watch it together. And I would get up and make a pretend speech.
When I was a little kid, my mother and I used to watch the 'Golden Globes' and I would dress up and she would get sparkling apple cider and we would make a tray of hors d'oeuvres and watch it together. And I would get up and make a pretend speech.
Growing up, I would just sit in my room and watch Detroit news. I was obsessed with Rich Fisher and Amyre Makupson and, of course, Bill Bonds. He was such a character. I just really liked these people. I'm just really a nerd for it.
Actors can write and produce too. Then when I was working on Jason Bourne - having had that experience - instead of going back to my trailer and being separate from everyone else, I would sit behind the monitor and watch Paul Greengrass work and be much more included in the process. That was new for me and really enriching.
Dogs want to be people. That's what their lives are about. They don't like being a dog. They're with people all the time, they want to graduate. My dog would sit there all day, he would watch me walk by, he would think to himself, "I could do that! He's not that good.
I watch a lot of news, and I watch musical shows because I think the music of the young people is really their news reports. They let you know how their country is going through their eyes, and about their experiences in the everyday shock of growing up.
Instead of dumping all my money on an independent film that nobody would watch and most people would make fun of behind my back, I decided, 'I'm just going to buy a house.'
I would like to design a really cool watch. I've done a little bit of watches in the past, but I didn't have a lot of freedom because it was already sort of set in stone, everything around the watch. So I think a watch in the future would definitely be in the cards.
One day we're going to watch people fight to the death, like Roman times. Instead of being in a coliseum, we're going to watch it on TV.
You become self-conscious and you begin to criticize yourself so much and watch yourself, and I don't want to ever do that. I want to be able to be free and explore. So I won't really watch it, but I would love to do, like, The Incredibles, or something like that. I would love to do a movie that's really, really good and animated. Inside Out, something like that. Something really smart.
Netflix shook it up, brought this whole new generation of people who said, 'I watch things when I want to watch, how I want to watch, where I want to watch, and that's something that no one's going to ever forget.' This has changed the game completely, and I think it's the tip of the iceberg.
At the end of that two weeks Bernard [Leach] asked us if we would like to sit with him tending the kiln, the big oil-fired kiln that they had. He was still sitting what we call a kiln watch at that time, and he wondered if we would like to sit the watch with him and talk. So naturally this was our last opportunity to talk with him, so we said yes. We didn't realize Bernard's kiln watch was from 1:00 in the morning until 4:00 AM.
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