A Quote by Rod Lurie

Finding out you're able to do something doesn't necessarily mean you want to do it. — © Rod Lurie
Finding out you're able to do something doesn't necessarily mean you want to do it.
It's not selling out, necessarily, to do something to gain some kind of notoriety that gives you the cache to do be able to go and do something else that you want. There's some dues that you just have to pay in life.
I am trying to give the best performance possible in 400 pages. I want readers to be scared; I want them to be moved. Entertainment doesn't necessarily mean something trivial, but it does mean people wanting to get to the end of a book.
I'm sure there will come a time when I won't be able to, you know, walk around so easy sometimes, or it's just things that I don't necessarily want. I don't really necessarily want to be famous.
I always thought if you really want to be a good actor, you've got to be able to fart in public. That, to me, is the most important. If you are so inhibited that you can't fart, I don't mean around your friends, I mean just a fart, out loud somewhere. I don't mean the 'silent creeper', everybody does that. I mean fart out loud! Just that you can do it and not be afraid of it. Humility is very important.
When you’re writing, you’re trying to find out something which you don’t know. The whole language of writing for me is finding out what you don’t want to know, what you don’t want to find out. But something forces you to anyway.
It was odd to have something so personal out there in that way, but the good thing about art is that no one necessarily knows what you mean by it anyway.
He lives out in Orchard Park. I mean, to be able to sit on the bench so patiently, for whatever part, and to be able to get up and do something, with such heroic competencies would be great.
With reporting, if you work hard, you can usually pull something out. But writing humor doesn't respond to working hard, necessarily. I mean, you could just sit there and look at the page all day and maybe something will come.
I think people sometimes confuse 'catchy' with something that should automatically be a hit in today's world. I mean, obviously we write a lot of stuff that's catchy, that sticks in your head. But that doesn't necessarily mean that middle-school kids are going to want to listen to a song about a lawyer or a Subaru or whatever.
Do you believe in God, doctor?" No - but what does that really mean? I'm fumbling in the dark, struggling to make something out. But I've long ceased finding that original.
The fact that something is actually understandable and relatable doesn't mean that it's unsophisticated or banal. It just means that it's crystal-clear. And if you can't explain it, that doesn't necessarily mean it's so brilliant that ordinary mortals can't fathom it. It might just mean that it makes no sense.
When I use the word spirituality, I don't necessarily mean religion; I mean whatever it is that helps you feel connected to something that is larger than yourself.
You don't necessarily have to go to film school to be a brilliant film maker. If you are a good listener and you study life, and you find that story that is buried within each and every one of us, and you figure out a way to bring that out. And sometimes it doesn't necessarily mean money or winning the lottery.
I'm always looking for a chance to do something different. I don't necessarily want to repeat myself, at any time, and I don't want to just do the same guy, over and over and over again. I want to be able to do different things and to evolve and constantly try to find those roles.
Why can't I prove that advertising can manifest itself in a way that doesn't necessarily mean television ads but changing behaviour and creating a brand out of something that already exists?
What I don't want to do is go out there and not be able to mean it, you know?
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