A Quote by Rutger Bregman
The real 'Lord of the Flies' is a tale of friendship and loyalty; one that illustrates how much stronger we are if we can lean on each other.
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It's not who you are, who you are friends, and how popular they are, it's just about how much you get out of each friendship and how much you learn from each one that really counts.
The difference between friendship and love is how much you can hurt each other.
If loyalty is, and always has been, perceived as obsolete, why do we continue to praise it? Because loyalty is essential to the most basic things that make life livable. Without loyalty there can be no love. Without loyalty there can be no family. Without loyalty there can be no friendship. Without loyalty there can be no commitment to community or country. And without those things, there can be no society.
The other Dons in the room applauded and rose to shake hands with everybody in sight and to congratulate Don Corleone and Don Tattaglia on their new friendship. It was not perhaps the warmest friendship in the world, they would not send each other Christmas gift greetings, but they would not murder each other. That was friendship enough in this world, all that was needed.
When I was working on my first novel, 'The Quilter's Apprentice,' I knew I wanted to write about friendship, especially women's friendship and how women use friendship to sustain themselves and nurture each other.
God, how we get our fingers in each other's clay. That's friendship, each playing the potter to see what shapes we can make of each other.
Do you not know how bashful friendship is? Friends - comrades - do not look at each other. Friendship would be ashamed.
I don't know where the loyalty lies in baseball. You really don't have to protect each other much, unless there's like a bench-clearing brawl. In hockey, it's important that they look out for each other.
... the friendship of worthless people has a bad effect (because they take part, unstable as they are, in worthless pursuits, and actually become bad through each other's influence). But the friendship of the good is good, and increases in goodness because of their association. They seem even to become better men by exercising their friendship and improving each other; for the traits that they admire in each other get transferred to themselves.
Friends never cheat on each other, or take advantage, or lie. Friends do not spy on one another, yet they have no secrets. Friends glory in each other's successes and are downcast by the failures. Friends minister to each other, nurse each other. Friends give to each other, worry about each other, stand always ready to help. Perfect friendship is rarely achieved, but at its height it is an ecstasy.
'Enchanted' illustrates how impractical fairy-tale ideals are in the World As We Know It, and yet, Giselle's unabashed optimism always seems to magically find its time and place.
Building a cast is a card house. They lean on each other, provide for each other, and take from each other.
For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness.
And what made these heart-to-hearts possible--you might even say what made the whole friendship possible during that time--was this understanding we had that anything we told each other during these moments would be treated with careful respect: that we'd honor confidences, and that no matter how much we rowed, we wouldn't use against each other anything we'd talked about during those sessions.
I love working with Erica [Durance]. She's so much fun. And I love how flippant, comfortable, and casual the relationship is. There is so much humor there, and they make each other laugh. It is obvious how much they adore each other. I really like that.
The communication within Sinsaenum is really, really cool. As extreme as the music is, you might not realize how much we respect each other and how much we coach each other and how well we communicate.
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