A Quote by Saara Aalto
The world is full of negativity and scary news, terrible things happening. And then we have Eurovision, which is like the whole of Europe and the whole world just comes together, and celebrates love and everybody supports everybody.
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The important thing is allowing the whole world to wake up. Part of allowing the whole world to wake up is recognizing that the whole world is free—everybody is free to be as they are. Until the whole world is free to agree with you or disagree with you, until you have given the freedom to everyone to like you or not like you, to love you or hate you, to see things as you see them or to see things differently—until you have given the whole world its freedom—you’ll never have your freedom.
I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
Everybody has a secret world inside of them. I mean everybody. All of the people in the whole world, I mean everybody — no matter how dull and boring they are on the outside. Inside them they've all got unimaginable, magnificent, wonderful, stupid, amazing worlds... Not just one world. Hundreds of them. Thousands, maybe.
It's a whole new world out here. The online world is like a blackboard on which, when you write, the whole world can see - and I'm thrilled about this development. I want to make full use of it.
There's days when I'd love everybody to relize that things have gone too far, and we need to be born again...but there are other days when I think the world deserves to be destroyed. Why should I help anybody? Everybody's stepped on me my whole life.
My favorite place in the whole world is Nashville. Because it's my home, it's Music City. It's like, everybody there is so artistic and so creative, and nice! Everybody's really friendly.
I watched 'Eurovision.' And I actually like the show. I like wind machines. I like the whole glimmer-glamour thing. That's 'Eurovision.' We love to hate it.
Everything about the movie 'Dope' is real artistry, and everybody put their full hearts and souls into it. It's a passion project; it's not one of those things everybody got paid a million dollars to do. Everybody on there wanted to do it. Everybody there believed in the project, and we just went for it. We all love each other.
I would love to have the whole world involved and still call it Eurovision.
My father says that almost the whole world is asleep, everybody you know, everybody you see, everybody you talk to. He says that only a few people are awake and they live in a state of constant total amazement.
I am just like everybody else...because there is nobody like me in the whole world.
Everybody goes to the funeral, but everybody laughs when it's funny. While entertainment is happening, that's just what it is, entertainment - until it crosses over into a whole 'nother situation. And now, me maturing, I look back at a lot of things, pushing forward, some things won't get my attention. Some things don't deserve my energy. I won't put forth so much on things, you got to focus on what's the matter at hand. That's to put out timeless music, and great albums.
I believe Jesus Christ came for everybody. I don't think he came for Christians. The Bible says take this good news to the whole world.
Correcting oneself is correcting the whole world. The Sun is simply bright. It does not correct anyone. Because it shines, the whole world is full of light. Transforming yourself is a means of giving light to the whole world.
I always had hopes of being a big star. But as you get older, you aim a little lower. Everybody wants to make an impression, some mark upon the world. Then you think, you've made a mark on the world if you just get through it, and a few people remember your name. Then you've left a mark. You don't have to bend the whole world. I think it's better to just enjoy it. Pay your dues, and just enjoy it. If you shoot a arrow and it goes real high, hooray for you.
The Orient that appears in Orientalism, then, is a system of representations framed by a whole set of forces that brought the Orient into Western learning, Western consciousness, and later, Western empire.... The Orient is the stage on which the whole East is confined. On this stage will appear the figures whose role it is to represent the larger whole from which they emenate. The Orient then seems to be, not an unlimited extension beyond the familiar European world, but rather a closed field, a theatrical stage affixed to Europe.
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