A Quote by Sarah Jones
I remember being influenced by great artists when I was a kid - not to call myself a great artist - but people who I thought were great enough that they really made a difference. And so I would never want to be disappointed by them, and I want to make sure I never disappoint audience.
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The thing I'm obsessed with is really great bad paintings. I have a storage locker full of them and I want to give them their own museum. You don't even know who these artists are - you can buy them at garage sales, antique stores and places like that. They're brilliant because they were done with the intention of being great, but the artist sort of made a wrong turn. Some of them are hilarious and I can't get enough of them.
I feel a great connection with my readers and would never want to disappoint them.
There is a difficulty with only one person changing. People call that person a great saint or a great mystic or a great leader, and they say, 'Well, he's different from me - I could never do it.' What's wrong with most people is that they have this block - they feel they could never make a difference, and therefore, they never face the possibility, because it is too disturbing, too frightening.
Artists were always referred to as great artists. I thought that's what the profession was. One word: great-artist. There wasn't one moment in my life when I thought I wanted to be anything else.
You meet people who are great to hang with, and you just want to make stuff. So, you just make stuff. I never would have seen that coming. I guess at this point, I can't say that I'm really picky about it. If someone wants to work with me, I'm psyched. As far as who I might call, I don't know. I've never thought about it. Maybe I don't feel like I'm able to ask. That hasn't crossed my mind. I'm that girl who waits to be invited to the dance. I'm not doing any inviting myself, if that makes any sense.
I've always thought that people who left a great deal of money in their will never enjoyed the great honor and privilege and heart-rendering feeling of giving to others during their lifetime, because they were too selfish to give to others while they were alive, so they made sure they were dead and couldn't use it anymore.
I never thought it was my style or the words I used that made a difference. It was the content. I wasn't a great communicator, but I communicated great things.
I just never want to repeat myself. I also don't want to be bored in life. The great luxury of being an actor is you get to be different people, and I would hate to be repetitive.
If I played something incorrectly, I whipped myself mercilessly. Whenever I made a mistake, I made sure that I would never allow myself to repeat it. Every guitarist wants to play well. But in reality, if good intentions were all it took, then everyone would be great.
I was shaped in college into a performance artist. I never really thought of myself as being one singular thing. I think of myself as an artist and I feel no restrictions when it comes to how I want to portray what I want to portray.
I'm not a great practiser at all. We were never great practisers. The Beatles would come together for about a day before we had a tour, to make sure the amp worked.
A really great reception makes me feel like I have a great big warm heating pad all over me. People en masse have always been wonderful to me. I truly have a great love for an audience, and I used to want to prove it to them by giving them blood.
If you want to be an architect of change by raising great kids, God bless. If you want to do it by raising money for your kid's school, great. If you want to build a garden - whatever it is. Women like myself - they're complicated, and they have a lot of different interests and qualities within them.
It [moviemaking] is about entertaining audiences with great characters and great stories, you want to make people laugh, you want to make people cry, you want to have great music that is memorable. You want a movie that, as soon as it's over, you want to watch it again, just like that. That's what it is, whether it's live-action, animation, hand drawn, computer, special effects, puppet animation, it doesn't matter. That's the goal of a filmmaker.
I think that my looks through the years have served me well because I was never a great beauty and I was never cast as a great beauty. My looks were not part of my transportation - certainly not in the typical leading lady role - so I never leaned on it and I never really made that a high value.
One of the great bands we opened up for was Priest back in '89. That was really great because at that time we had never met them, never toured with them before. They were a big influence on Slayer, so to open up for them was really cool.
