A Quote by Sarah Silverman
If I were somebody else looking at my character, I'd be like, "She's beautiful." I'm practicing. I'm not succeeding.
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I'm prepared to try to talk to a very beautiful girl. I learned a fantastic secret, which is that the most beautiful woman in the room is not being spoken to because she's too intimidating. They're not looking for somebody beautiful; they're looking for somebody to amuse them.
She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
The characteristic of the first sort of religion is imitation. It insists on imitation: imitate Buddha, imitate Christ, imitate Mahavir, but imitate. Imitate somebody. Don`t be yourself, be somebody else. And if you are very stubborn you can force yourself to be somebody else. You will never be somebody else. Deep down you cannot be. You will remain yourself, but you can force so much that you almost start looking like somebody else.
And then she thought that you went on living one day after another, and in time you were somebody else, your previous self only like a close relative, a sister or brother, with whom you shared a past. But a different person, a separate life. Certainly neither she nor Inman were the people they had been the last time they were together. And she believed maybe she liked them both better now.
Looking at her, I thought again how beautiful she was - even in jeans and a T-shirt, no makeup, she was breathtaking. So much so that it was hard to believe she could ever have looked at herself and seen anything else.
If you get hold of a head of hair on somebody you've never seen before, cut beautiful shapes, cut beautiful architectural angles and she walks out looking so different - I think that's masterful.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
Jealousy is comparison. And we have been taught to compare, we have been conditioned to compare, always compare. Somebody else has a better house, somebody else has a more beautiful body, somebody else has more money, somebody else has a more charismatic personality. Compare, go on comparing yourself with everybody else you pass by, and great jealousy will be the outcome; it is the by-product of the conditioning for comparison.
Then I saw Juli. She was two tables away from me, facing my direction. Only she wasn't looking at me. She was looking at Jon, her eyes all sparkly and laughing. My heart lurched. What was she laughing about? What were they talking about? How could she sit there and look so... beautiful? I felt myself spinning out of control. It was weird. Like I couldn't even steer my own body. I'd always thought Jon was pretty cool, but right then I wanted to go over and throw him across the room.
She was absolutely my hero. She would do without if she could help somebody else. My mom showed the courage of the lion to keep her kids alive, and the sacrifices she made were incredible. I don't know if I would have been man enough to do what she did.
The [character] that I was able to crawl into the most was Lilo from Lilo & Stitch. This was sort of a cartoony-looking girl, but her problems were completely real. Her funky world that she createdI mean, you know kids like that. It was very honest and genuine and I wanted to do an honest job, so I thought about the character a lot before I animated it. I really got into the character, where [I] almost felt that pain that she had. The loss of the parents - you need to feel all that. That was a big learning experience for me.
We were doing this close-up of my character on a cell phone, and the director's just like "Cut! Can we get somebody else's hand in there?" I do bite my fingernails, and you don't want to see a fat, bitten thumbnail on a 30-foot movie screen, so I get somebody with really nice, sexy hands and put 'em in there.
The biggest mistake people are making when it comes to fashion is looking in the mirror and thinking you're somebody else. People sit and watch the runway and then some nice little plump lady in Squeedunk will see Angelina Jolie in a very glamorous dress from the runway and she thinks if she buys that dress she'll look like her. It's sad, but it's true.
It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.
She glances back before stepping into the alley, and she catches her grandfather looking at her the way he does sometimes--as if she's already gone, as if he's practicing sorrow.
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