A Quote by Satish Kaushik
The reason why I said yes to 'Sumit Sambhal Lega' was that this show is an official adaptation of the American series 'Everybody Loves Raymond,' which was a very popular show for nine years.
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I would like to direct a sitcom like 'Sumit Sambhal Lega.' It was interesting. It had a great script also.
The thing that everybody loves about the 'Burnett Show' was that you felt like you were really there - all that fun stuff stayed in the show, and I think that's why everybody remembers it so fondly because that just doesn't happen anymore on television.
The same issue is happening on a show like Everybody Loves Raymond now, which is in its eighth year and struggling to come up with good stories. It'll be interesting to see how they do. The bottom line is, it starts with the writers and ends with the writers.
I think one reason why our show is popular too is that we have relationships with all these people. They are our actual friends. We're not like show promoters where we're like, (sleazy) "Hey, come on over and do a show."
I'm a huge fan of stuff like 'Planet Earth' and the American sitcom 'Everybody Loves Raymond.'
One of the most fun characters I played on a television series, which didn't last long... was a show called 'American Gothic' that Shaun Cassidy created. I would have loved to have done that show forever. That character was so funny yet demonic. It was really good writing and a really good idea. I loved all the people on the show.
It [going from mini-series to series] was never even discussed because it [The Starter Wife] was, you know, an adaptation of a novel. And we - the mini-series encompassed the whole novel. And so it was always going to be a finite sort of event. And then I imagine when people started to really respond to the show and then we got ten Emmy nominations, USA sort of said, "Oh, I think maybe we have something here."
I wasn't so sure about signing up for 'Law & Order.' I liked the show, but another TV series? I'll tell you, though, it's been great, and I had no idea how popular the show was.
I did an episode on the TV show 'Awake,' and I thought, 'Wow, that's really hard.' To do that so fast and to do that, if it's very successful, for nine months out of the year, for a bunch of good years, that's challenging. But, it was interesting. It's a good show. You'd have to have a very good character, I guess.
It was hard for me to do the show (All-American Girl) because a lot of people didn't even understand the concept of Asian-American. I was on a morning show and the host said, "Awright, Margaret, we're changing over to an ABC affiliate! So why don't you tell our viewers in your native language that we're making that transition?" So I looked at the camera and said, "Um, they're changing over to an ABC affiliate."
When the 'Seinfeld' show said it was going to be a show about nothing, everybody said it couldn't - wouldn't work. It did. 'Thor' is about something, about that character finding his destiny, but it's not doing what was expected... and yet it's doing very well.
When the Seinfeld show said it was going to be a show about nothing, everybody said it couldn't - wouldn't work. It did. Thor is about something, about that character finding his destiny, but it's not doing what was expected... and yet it's doing very well.
In Europe, you would almost never have people with large amounts of income being happy with a two-volume vehicle like a hatchback or a minivan. They want to structurally show their societal position, which is why three volumes are so popular. They show 'I'm part of that hierarchy.'
I was very lucky with 'Soap' and 'Who's the Boss,' which was great fun, and then went on 'Coach' and 'Everybody Loves Raymond.' I've been truly blessed, and the work has all been fun and a joy.
I can say without hesitation that there is certainly no greater show to be a contestant on than 'Price' - the prizes can be huge, and the whole world loves and watches the show. It's an American institution!
I was selling a piece of my art on eBay from The Escapist, which was an adaptation of The Adventures of Kavalier and Clay, and the person who bought it was Alan Heinberg, one of the executive producers of the show and was a huge fan of my work and asked if I'd be interested in maybe being the ghost artist for Seth. It clicked and I could relate to Seth's plight on the show. It became really easy to fill in his shoes, and people really grabbed onto it; they really dug that sort of very minor sub-plot in the show.
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