A Quote by Satyajit Ray

Last, but not least -- in fact, this is most important -- you need a happy ending. However, if you can create tragic situations and jerk a few tears before the happy ending, it will work much better.
I always had this idea that you should never give up a happy middle in the hopes of a happy ending, because there is no such thing as a happy ending. Do you know what I mean? There is so much to lose.
It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
Each of us may think we know exactly what we need to make us happy, what will be good for us, what will ensure we have our happy ending, but life rarely works out in the way we expect, and our happy ending may have all sorts of unexpected twists and turns, be shaped in all sorts of unexpected ways
If you are interested in happy endings, you would be better off reading some other book. In this book, not only is there no happy ending, there is no happy beginning and very few happy things in the middle. This is because not very many happy things happened in the lives of the three Baudelaire youngsters.
'Fargo' is a tragedy with a happy ending. So you need to have that tragic underpinning, that all of this could be avoidable, and that's what makes it tragic. It's about the use of violence, and the fact that the tension in anticipation of violence and the tension in anticipation of a laugh are sort of the same.
Tell me a story, Pew. What kind of story, child? A story with a happy ending. There’s no such thing in all the world. As a happy ending? As an ending.
There's a reason a happy ending is called an ending. The trick of a television storyteller is to find all the rivers and mountains and valleys on the way to that ending.
To have a happy ending, choose a happy moment and call it 'the ending'. Honesty is incompatible with the amassing of a large fortune.
In this book, not only is there no happy ending, there is no happy beginning and very few happy things in the middle.
You want a happy ending, but not such a ridiculous happy ending that it doesn't mean anything to anybody.
The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”
A lot of people think that being skinny is the happy ending, and it's not. Being happy is the happy ending.
When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.
Pride' is my first film with a happy ending. Before, I naively thought they were a cop-out, but now I've come to believe that happy endings and wish fulfilment are an incredibly important part of our cultural life.
'Pride' is my first film with a happy ending. Before, I naively thought they were a cop-out, but now I've come to believe that happy endings and wish fulfilment are an incredibly important part of our cultural life.
[Steven Spielberg makes] human movies. Movies [...] that reflect the life we wish it would be, not necessarily as it is. And the happy ending, you know. Life is a tough thing to begin with, and I like the happy ending.
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