A Quote by Scott Derrickson
There's a clean simplicity to the plotting of 'Sinister,' whether you like it or not. And the scares are deliberate and even heavy-handed in a way. There's not a lot of sophistication or nuance in the plotting and not much restraint in the scares - and that's a part of what makes the movie accessible.
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The real scares on CNN, etc. and the scares in a movie, like 'The Purge,' are totally different. One of the ways you can tell when someone, whether it's a film maker or executive or producer, wants to make a scary movie but doesn't understand that distinction is they'll want to recreate too much of what's on TV.
Audiences have grown to equate being startled with being scared, and will complain that a movie 'isn't scary enough' if it doesn't have enough jump scares... so that means that a lot of studios will insist on shoving jump scares into a movie, regardless of character or story structure, thinking it 'makes it scarier.'
As for me... I'm fine. I have bad dreams, but I never saw Mister Duck again. I play video games. I smoke a little dope. I got my thousand-yard stare. I carry a lot of scares. I like the way that sounds. I carry a lot of scares.
What scares me? I kind of believe in ghosts. I believe they can wander around, so that scares me. But the stuff that really scares me are the catastrophic events like my husband or children or my family being harmed, or something like that.
The key to a good horror movie is what happens between the scares. The scares aren't the tricky part. If you're involved in what's going on in between, the scare is going to trick you. If you're not, the best scare in the world will not be scary.
The physical part of comedy is as hard as a lot of action movies. It scares me, but in a way that I like.
Do you want to know what scares the Washington cartel? Actually, not remotely. I don't scare them in the tiniest bit. What scares them is you. What scares them is that old Reagan coalition is coming back together, of conservatives.
The truth, whether we admit it or not, is that grace scares us to death. It scares us primarily because it wrestles control and manageability out of our hands - introducing chaos and freedom.
For me, the slower burn is a deeper and more effective scare. But I only like those kinds of scares when they're really earned. I don't like false scares.
If someone's different from you and it scares you or makes you mad, that's God telling you to take a closer look. If you're scared or mad, that's about you, not about the person who scares you or angers you.
With a horror movie most of the actual jumps and scares are made in the edit. It's often not very scary on set and then you watch the film and suddenly it's very scary because the way the jump scares fit together building up the suspense in the audience because it's making them jump when they're least expecting it.
The scares are the easier part of scary movies. The hard part of scary movies is what leads up to the scares.
I just wanted to be a part of something that's a horror movie that scares you.
Plotting is like sex. Plotting is about desire and satisfaction, anticipation and release. You have to arouse your reader's desire to know what happens, to unravel the mystery, to see good triumph. You have to sustain it, keep it warm, feed it, just a little bit, not too much at a time, as your story goes on. That's called suspense. It can bring desire to a frenzy, in which case you are in a good position to bring off a wonderful climax.
It doesn't matter that Bush scares the hell out of me. What matters is that he scares the hell out of a lot of very important people in Washington who can't speak out, in the military, in the intelligence community.
Instead of believing the world is plotting to do you harm, choose to believe the world is plotting to do you good. Instead of seeing every difficult challenging event as a negative, see it for what it could be - something that is meant to enrich you, empower you, or advance your causes.
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