A Quote by Sergio Leone

Virginia Woolf was one example. She was called the "Lover of 100 Gangsters." — © Sergio Leone
Virginia Woolf was one example. She was called the "Lover of 100 Gangsters."
The notion of the writer as a kind of sociological sample of a community is ludicrous. Even worse is the notion that writers should provide an example of how to live. Virginia Woolf ended her life by putting a rock in her sweater one day and walking into a lake. She is not a model of how I want to live my life. On the other hand, the bravery of her syntax, of her sentences, written during her deepest depression, is a kind of example for me. But I do not want to become Virginia Woolf. That is not why I read her.
Think of Virginia Woolf, 'A Room of One's Own' - that's what women have always needed under patriarchy and can't be creative without. They took away my classroom and my status to teach, and now they have taken away my office, and all of it is giving the message that Virginia Woolf and I are losing what I call 'womenspace.'
Vita Sackville-West is one of my favorite female icons. She was a writer and a prolific gardener, but she also had a relationship with Virginia Woolf, and she was married to Sir Harold Nicolson. She was a woman who lived outside of norms.
Virginia Woolf's writing is no more than glamorous knitting. I believe she must have a pattern somewhere.
She pulled off Virginia Woolf's To the Lighthouse and settled down in a comfortable leather chair by the fire to read.
I fell in love with Virginia Woolf in college. I especially admire how well she writes about daily life, how she captures so much meaning and consequence in the smallest details of a day.
There's a great quote about Virginia Woolf, she had the same spiritual stake in her diaries as she had in her writing.
I love reading other people's diaries, especially someone like Virginia Woolf's - such a formidable woman that it's a revelation when she shows you a more vulnerable side of herself.
I admire Virginia Woolf so much that I wonder why I don't like her more. She makes the inner things real, she does illumine, and she makes relationships realities as well as people. But I remember the intensity, the thrill, with which I read 'Passage to India.' How I would have hated anyone who took the book away from me.
As an actor, to go and see those shows - great plays like 'Who's Afraid of Virginia Woolf?' and Clifford Odets's 'Golden Boy' - it's so exhilarating. I'd personally love to perform the role of Jerry in Edward Albee's 'The Zoo Story.' He's a transient, lost soul, and an example of humanity at its rawest.
Who's Afraid of Virginia Woolf?
Like all her friends, I miss her greatly...But...I am sure there is no case for lamentation...Virginia Woolf got through an immense amount of work, she gave acute pleasure in new ways, she pushed the light of the English language a little further against darkness. Those are facts.
I think there's much more privileging of the new in art. I think people want to think they privilege the new in writing, but I agree with Virginia Woolf. She wrote a great essay called "Craftsmanship" about how difficult it is to use new words. It's really hard, but you see them coming in because obviously, if you're going to write... I mean, even to write "cell phone" in a novel - it's so boring.
In school, I was Martha in 'Who's Afraid of Virginia Woolf?' I loved that.
'Who's Afraid of Virginia Woolf?' is, to my mind, a work of perfect genius.
Of Virginia Woolf: The talent of this generation which is most certain of survival.
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