A Quote by Stacey Dooley
There have been scenes and sequences I've done that I watch back now and cringe and think I dealt with that in completely the wrong way. Sometimes I'm too emotional - too invested, in that sense - but you learn, and then you don't do it again.
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You, and in fact quite a lot of your generation, have in some way been exiled from that particular sanctuary. It's become almost impossible for someone to "go mad" in the classical sense. At one time people conveniently "went mad" and were never heard from again. Like a character in a romantic novel. But now you are too hip to yourself on a psychological level. You all are too intimate with too many of the symptoms of insanity to be caught completely off your guard.
In all honesty I think, sometimes with the LGBT community, if you look at anything else surrounding it, there's always been this oddness and sense of humor. I really appreciate that. It's kind of a hard world to take yourself too seriously. It's a good balance check. It's not serious all the time. I'm that way too, even though I write a lot of depressing music. A lot of times our shows are not very serious at all. We joke a lot and then we play a sad song and then we joke again.
Originally I had a fear of rejection at the auditions, which is a lack of self-confidence ultimately. Now I have a production company and when you can look behind the scenes at the casting process, you know it's not about rejection. It might have been the most amazing performance ever, but if the person is too tall, too short, too brown, too white, has blond hair or whatever it is, then not getting the gig may have nothing to do with the performance. You have to learn to treat auditioning as matter-of-factly as drinking a glass of water.
I guess I cringe, because sometimes I don't even watch my live performances back. When I edit, it's this feeling of seeing my mistakes. It's always a mixture of loving characters, but being the artist that created it and not trying to go too deep in criticizing myself.
Sometimes, a scene goes on too long and, with this being a suspense story and murder mystery that you're trying to discover through her heightened paranoia, you don't want scenes that take you on a tangent. Sometimes, you love those scenes, but you know that it's better not to be in the overall film. So, I'm not sad that they're not in the main movie, but I do think it's fun for people to get to watch them, if they want to.
I'm done waiting. Done doing things the easy way and letting things happen as they will." Her heart caught. "What does that mean?" "It means this is too important to let slip away again. You're too important." He leaned back against the truck with a low grunt of effort, eyes dark, jaw clenched. "I love you too, Tara.
We changed again, and yet again, and it was now too late and too far to go back, and I went on. And the mists had all solemnly risen now, and the world lay spread before me.
I think sometimes people can get lost in the bigger special effects, science fiction, robot stuff, and those are cool and fun to watch, too, but I think it's so important to sometimes step back and watch something that's about life and human interaction.
I didn't start Me Too as a hashtag, and had I had the opportunity to, I probably wouldn't have done it that way. I think that what has happened subsequently has been beautiful to watch, but what concerns me is what all of these survivors are going to do now.
I wonder if ever again Americans can have that experience of returning to a home place so intimately known, profoundly felt, deeply loved, and absolutely submitted to? It is not quite true that you can't go home again. I have done it, coming back here. But it gets less likely. We have had too many divorces, we have consumed too much transportation, we have lived too shallowly in too many places.
I can look back and recognize the things I've done and said that were wrong: unethical, gratuitously hurtful, golden-rule-breaking, et cetera. Sometimes the wrongness was even clear at the time, though not as clear as it is now. But I did these things because I felt the pull of a trajectory, a sense of experience piling up the way it does as you turn the pages of a novel. I would be lying if I said I was a different person now. I am the same person. I would do it all again.
Some people my accuse me of doing too much. Sometimes I agree with them. But then there is a part of me that wants to follow God --- wholeheartedly, completely and full throttle, wherever He may lead. I don't want to look back fifty years from now and think, What if I had trusted God? Where would I be?
Everybody has been told already that they're too shy, too aggressive, too emotional, too reserved. They know what their fatal flaw is. They know the one thing to do to get better. But they just don't commit to changing because they feel a little bit in love with it, a little bit in love with the way they've been.
Things I've done in the past always make me cringe a bit. When I think back to being a Christian. Proselytising to people, that makes me cringe.
I have sometimes done cartoons that are hurtful to people - immature, spiteful stuff. Some are so self-indulgent, and some have just failed. I look back and sometimes cringe. But one regret as I get older is that I haven't been radical and wild enough.
I was in the car driving back, after having done a scene where I kill somebody, and I just said to the driver, "I can't talk right now. I'm too emotional." The whole car ride back, I was just crying.
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