A Quote by Stephanie Seymour
My husband and I were in Paris for the weekend and I hated wearing anything that was in style. I really loved '50s dresses, so we started going around Paris and hunting this stuff down. It became like this treasure hunt. From then on, I felt like a pirate every time I left Paris.
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Every time I look down on this timeless town Whether blue or gray be her skies. Whether loud be her cheers or soft be her tears, More and more do I realize: I love Paris in the springtime. I love Paris in the fall. I love Paris in the winter when it drizzles, I love Paris in the summer when it sizzles. I love Paris every moment, Every moment of the year. I love Paris, why, oh why do I love Paris? Because my love is near.
Americans continue to visit Paris not just for Paris, but for ‘Paris.’ As if out of some collective nostalgia for what Paris should be, more than what it is. For someone else’s memories.
It is no accident that propels people like us to Paris. Paris is simply an artificial stage, a revolving stage that permits the spectator to glimpse all phases of the conflict. Of itself Paris initiates no dramas. They are begun elsewhere. Paris is simply an obstetrical instrument that tears the living embryo from the womb and puts it in the incubator.
Paris is not so square. I'm not good at the geography of the city in Paris, so I'm always lost. Here, in New York, you can never be lost. In Paris, even when I walk to my gallery or whatever, I always take another route, because Paris is not built that way.
In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style. The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste. There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
I didn't go to Paris until I was a grown-up in 1965. And when I went to Paris, it was the Paris I knew only from American movies.
Too many architects are just trying to make all of their buildings look like a brand, and that may be good for business, but that is terrible for the cities because they lose character. If I go to Paris, I go to see the beauty of Paris and the coherence of Paris.
To avoid sounding like a cliche, I won't say I want to get proposed to in Paris, but Paris. I want it to happen somewhere public where people can be excited that I just got proposed to, and everyone applauds, like in a restaurant - that, or somewhere totally secluded... in Paris.
When I was going to Paris for Paris Fashion Week, I'd often walk down the street and go into all the different shops that we didn't necessarily have in the U.K., and Maje was definitely one of the ones that stood out for me.
Let me tell you, though - there’s a huge difference between Flanders and Paris–Roubaix. They’re not even close to the same. In one, the cobbles are used every day by the cars, and kept up, and stuff like that. The other one - it’s completely different … The best I could do would be to describe it like this - they plowed a dirt road, flew over it with a helicopter, and then just dropped a bunch of rocks out of the helicopter! That’s Paris–Roubaix. It’s that bad - it’s ridiculous.
So I left with Jean Claude and went to Paris, so when the Russians came to Prague, I was in Paris.
When I was going to Paris for Paris Fashion Week, I'd often walk down the street and go into all the different shops that we didn't necessarily have in the UK and Maje was definitely one of the ones that stood out for me.
Historically, when Americans don't know what to do next, they go to Paris. Benjamin Franklin is like: 'What am I going to do now? I'll go to Paris!'
Sometimes I live in Paris for a couple of months, then I have a job some place, and then I come back to New York. I guess my base is New York-ish, 'cause my family is here. But my husband's family is all in Paris, so we try to spend a lot of time there, also. Especially now that we have Rose.
Paris is a sum total. Paris is the ceiling of the human race. All this prodigious city is an epitome of dead and living manners and customs. He who sees Paris, seems to see all history through with the sky and constellations in the intervals.
Paris is a danger for people like me. We spend our rent money in Paris on clothes.
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