A Quote by Steven Soderbergh
A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.
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A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you.
I'm lazy. I don't practice enough. I do other stuff. I'm not a musician's musician, and I don't necessarily know if I want to be. When I hear something and want to work on it, then that's what my project will be.
Millennials want to find meaning in their work, and they want to make a difference. They want to be listened to. They want you to understand that they fuse life and work. They want to have a say about how they do their work. They want to be rewarded. They want to be recognized. They want a good relationship with their boss. They want to learn. But most of all, they want to succeed. They want to have fun!
I want to be tolerant of other people's beliefs. I have wonderful friends who are religious, and I don't want to say that they're dimwits. They should certainly be able to pursue what works for them. I'm just saying that it doesn't work for me and I don't want to pretend that it does.
The thing about doing concerts is that it's doing a live show. It's on my schedule. It's songs I want to sing. It's saying what I want to say. It's working with the people I want to work with. I don't have to worry about pleasing other people - I can do what I want, and people come along and go for the ride.
There are two aspects to making movies: One is the feeling of wanting to push myself into stuff that I don't know how to do. Then there's the other impulse to try and earn a living. I want to be careful about not confusing those too much - not that those things can't have a healthy overlap. Plenty of people start out making work that isn't terribly commercial, and then make work that's more commercial but still good. You just want to watch out for that thing where you tell yourself that you're doing your best work when you're not.
I want people to help take care of each other at work. That's what I want. Do you know how many hours we spend at work? We spend more time at work than we spend at home. When people are suffering, we don't help enough.
The trouble is, most people are not so generous. Everybody wants love for themselves. I hear this all the time from the women I work with. I hear them say, "I want, I want." I never hear them saying what they want to give.
Personally, I just want to work on stuff that challenges me, that excites me, and that I think is original. You want to do something that does to other people what films do to you. It's the most wonderful thing in the world when you can lose yourself from reality and go into a story, and believe it and go on that journey with people, and you have to work that will somehow do that. It won't always, but hopefully sometimes.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
Today, when people say they cannot believe, it is not a mental problem; it is a matter of the will of the heart- they do not want to believe. Some say they have certain 'mental reservations,' mental hurdles which they cannot get over. My friend, your mind is not big enough to take even one little hurdle. The problem is never in the mind but in the will. There is sin in the life, and a man does not want to turn to God; he does not want to believe Him.
I think the guiding principle for me is working with people, because I don't know how long it's going to last, I want to seize the moment and work with people I want to work with.
The songs themselves sometimes have messages and people can read into them different ways, but I try to use concerts as a way to gather people and then have information there. I think that's important to find that balance, a way to be able to turn people on to things at the shows, but also just have it be an entertainment experience for people who just want to hear music and dance and don't want the extra stuff.
I drop free music because I want people to know I'm still working. I want people to know I'm working and making my money independently. I don't want to charge for a mixtape; I'd rather charge for an album and really give something to my fans.
I've come across enough successful people now to know that the best in whatever walk of life, they're the ones who just work the hardest. I realized that if I want to be the best and fulfill my potential, I'm going to have to do the same thing. And for those who are lucky enough to be born with a gift and then choose to work the hardest-I mean, that's the combination.
Oh, my god. I'd be a terrible doctor. I don't like to touch other people. There's a lot of gruesome stuff in my line of work to feel or to admit. I'm sure everyone's expecting me to say "proctologist," but actually no, I don't want to be a proctologist. Probably want to be a dentist, because you don't have to touch much of the other person's body, just their face or mouth.
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