A Quote by Steven Soderbergh
The brief flashbacks are sun-kissed, summery and optimistic. It's the only place in the movie you will see red, yellow, orange, or any vibrant colors.
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I like to use really basic or classic colors, things that people have seen over and over and over again. Primary colors, at least in photography, have been around a lot longer than neon colors and really vibrant purples, hot pinks. Red, blue, yellow, orange - because of Kodachrome and the way that things were produced I think that those colors stood out more than any others.
But I have always thought that these tulips must have had names. They were red, and orange and red, and red and orange and yellow, like the ember in a nursery fire of a winter's evening. I remember them.
Bet you don't know why the sun sets red. You see, light is made up of lots of colors. And out of all those colors, red is the one that travels the farthest.
One knew, of course, that it was not the red cape any more than it was the boots, the tights, the trunks, or the trademark "S" that gave Superman the ability to fly. That ability derived from the effects of the rays of our yellow sun on Superman's alien anatomy, which had evolved under the red sun of Krypton. And yet you had only to tie a towel around your shoulders to feel the strange vibratory pulse of flight stirring in the red sun of your heart.
A renowned genius once asked a student, "What are you watching when you sit on a hillside in the late afternoon as the colors turn from yellow to orange and red and finally darkness?" He answered, "You are watching the sunset." The genius responded, "That is what is wrong with our age. You know full well you are not watching the sun set. You are watching the world turn."
If you look closely at any face, you'll start to see that different areas of the flesh tones are tinged with four other colors - red, green, purple and yellow.
We've been in a war and a recession. That's why acccent colors with yellow and purple are popular. They're optimistic and flirty and happy colors.
There is no blue without yellow and without orange, and if you put in blue, then you must put in yellow, and orange too, mustn't you? Oh well, you will tell me that what I write to you are only banalities.
It's untrue to say the colors I use are not those of reality. They are real: The red I use is red; the green, green; blue, blue; and yellow, yellow. It's a matter of arranging them differently from the way I find them, but they are always real colors. So it's not true that when I tint a road or a wall, they become unreal. They stay real, though colored differently for my scene.
The colors are stunning. In a single view, I see - looking out at the edge of the earth: red at the horizon line, blending to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue and various gradually darker shades of gray, then black and a million stars above. It's breathtaking.
The distinct blue, red, and yellow colors... though they have not the kind of harmony which is produced by a variety of broken and transparent colors, have the effect of grandeur.
Your playing is like salt water taffy. You see all the beautiful colors, red, yellow, blue, but they all taste the same.
And I don't care what else anyone has ever told you, the Sun is white, not yellow. Human color perception is a complicated business, but if the Sun were yellow, like a yellow lightbulb, then white stuff such as snow would reflect this light and appear yellow-a snow condition confirmed to happen only near fire hydrants.
Everyone knows that yellow, orange, and red suggest ideas of joy and plenty. I can paint you the skin of Venus with mud, provided you let me surround it as I will.
For dinner, I have at least four or five different vegetables of all colors: purple, orange, green and red. I eat as many colors as possible, including carrots, broccolini, asparagus, cauliflower, kale and more.
Orange is red brought nearer to humanity by yellow.
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