A Quote by Susanne Bier
I think most of my films all have a certain tone or intensity in them. They are tense, and you kind of anticipate some kind of catastrophe, but you're not quite sure.
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Sometimes, in certain stories, I think we know at the outset essentially what the tone is going to be, or it becomes important that we're groping toward some kind of story with a certain kind of tone that we both get somehow. But I don't think how that's combined with other elements is ever in any way overtly discussed.
You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff.
Oh, my God. I want to be a mother, and I anticipate loving my children quite fiercely. I think about it all the time, though it's a silly thing to think about because the kind of mother I'll be depends on the kind of children I have. I can't wait to meet them.
People think that I have some idea about how I choose my films. I make sure that I am doing the kind of films that I want to watch. You hear so many stories, and one of them will stand out and connect to you somewhere.
A novel is like a long relationship and a short story is a brief one that lingers - it lingers powerfully and maybe more powerfully. I think that's true in a lot of cases, most long-term relationships compared to some of the briefer ones - the intensity of those brief ones that end, I think a short story is kind of like that. There's a certain level of intensity that I think is different.
I am still covering conflict to some degree. I was back in Iraq. I've covered quite a bit of the Israel and Palestine. But I'm not doing it with the kind of intensity I was before and I'm not seeking out the front line and the kind danger that comes with being at the edge of the war the way I used to.
I don't want to be typecast as a heroine who does a certain kind of cinema, which is why I experiment with the types of films that I do. But yes, I won't deny that romantic love stories or romantic comedies are what I enjoy doing the most, because as an audience those are the kind of films that I like watching.
I realized that I'm a soft person. I think I'm sensitive. I wanted very much to be tough and I think movie stars have a certain kind of resilience and toughness to them, but I'm quite a sensitive young lady in some respects.
I think real life couples on screen are kind of deadly. For the most part, they're kind of deadly. You'd be surprised. Unless they're falling in love onscreen for the first time, you don't have quite the same energy for some reason.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
With the black and white films, one was concerned with tone... You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.
I get uncomfortable and kind of scared sometimes of certain public situations because, since I've been on TV or I've appeared in some films, people think this boundary between us has been removed, and I owe them something.
I think the comic that's gotten me the most feedback is actually the one about the stoplights. Noticing when the stoplights are in sync, or calculating the length of your strides between floor tiles - normal people notice that kind of stuff, but a certain kind of person will do some calculations.
I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.
I know that I'm kind of a big deal online, but I think that some of that is starting to seep into the streets, and you want to kind of continue to make sure it does that.
The kind of filmmaker that I am, even my darker horror films generally are still very fun. And I think that's important for me and the kind of films I make.
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