A Quote by Susanne Bier
For the Oscars, I had a speech in my hand, and I just knew if I opened the piece of paper, I was going to be unable to read it. So I just thought, 'I'm going to say, as coherently as I can, whatever I can.'
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When I went to Czechoslovakia under the old Communist regime one day in the '80s, I thought to myself whatever I do, whatever happens to me in Prague I'm not going to use the name Kafka, I'm just not going to do it. I won't do it; it's so easy, everyone else does, I'm not going to. I'll write the first non-Kafka mentioning piece.
I just knew that I was funny, and I knew that it was just a matter of time. I didn't know what was going to actually happen - this is definitely way bigger than I thought - but I knew there was no way I was going to be that funny, and nobody was going to notice it.
From activist stage, I just spoke and said whatever I had to say. When the writing started, I would just read it. Then I had the interest into going into musical aspects. When that happened in '86, I liked the result of work we did in the studio.
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
When you look at the piece of paper, and there's just words on there, you interpret it as the actor to whatever you think is right. There may not be the hidden meaning behind the dialogue, because you don't really get to see what's going on.
I just want people to finish the book and say, 'I was entertained.' When I set out to do it, I had no deal in place. I knew it would be tough. I read somewhere that John Steinbeck was turned down 22 times on his first novel. But I was just going to do it.
If you want to be a writer, all you need is a piece of paper and a pencil, and I had a manual typewriter. It doesn't cost money to write. It costs money to make art. So I would just write. I would hand out stories in the classes in high school. And the teacher would say, "Whatever you do, don't become a writer."
Sometimes people won't even finish a piece that you wrote, because they've already decided what it is that you want to say, and generally I, whatever I say in the first half of the piece, you should not assume I'm going to end up with, but they don't finish reading them. So, and people read fast and stuff.
I kind of didn't believe the doctors when they came over and they said you're not going to be able to walk again. I'm sorry to tell you this. I thought who is this guy? I just was so impatient with the whole thing. I knew I was going to walk again. I knew that I was going to do that.
I was fuzzy on the details, but I knew the basic outline. I knew how I wanted to be, it was simply a question of being who I wanted to be.I thought I had had it all figured out before. I'd had the plan perfectly clear in my head. I wasn't going to cross into thirty without the triple crown in hand: serious boyfriend, career, and great friends..It was time to accept that maybe, just maybe, I didn't have to have it all figured out by the time I turned thirty. Maybe I could just work on me, and see what else fell into place.I was pretty sure that was otherwise known as living.
I always knew I was going somewhere - going out. I just knew. I just knew. I just knew there were a lot more points of view out there.
I just read everything I could get my hands on. I taught myself to read or my mother taught me. Who knows how I learned to read? It was before I went to school, so I would go to the library and just take things off the shelf. My mother had to sign a piece of paper saying I could take adult books.
I knew that it's typical for a black kid to say, 'I'm just going to rap.' I was like, 'I'm going to rap, but I'm going to study, I'm going to figure out what this is and how to put it together.'
Usually when I make a record, I know what the potential is going to be, but I didn't know that 'Just A Friend' was going to be that big. 'Just A Friend' opened a world up where I never knew the difference between being a pop star and a regular rap star. It was crazy.
I really approached the film as if it was a white big piece of paper and I was going to draw a picture on it. And whether that picture was good or bad, whatever people thought of it, what they could never take away was that it was my picture.
I'd say that, 99 percent of the time at Nevada, I knew what the coverage was and where I was probably going before the ball was snapped. It makes it very easy when I only had to read one person and know that I was going from here to here, and if not, I'm checking it down.
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