A Quote by Takashi Miike
Personally, it all feels like I've been filming just one long film the whole time and I have no personal like or dislike for any of the films that I've done. I feel like all of the all of them are important to me, all of the cast and all the staff that I've worked with have also been very important to me.
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I do spend a lot more time away from the U.K., it's important to me that I still feel the beat of the people that have been close to me for a long, long time. It's also important that I have really strong and beautiful relationships which I wish to preserve. That enables me - or challenges me, ultimately - to get a Texas driving license!
I think it's really important that we get an experienced staff. Guys that have been a head coach, to me, at some level is important to me. I value head coaching just because it's good to know what it's like to be the decision maker.
I kind of feel like I've been eating professionally for a long time. I've tasted everything. If there's a sausage, you know what? I know exactly what it tastes like. I love them all. But right now it's more important for me to not have all that grease and fat in my body.
One of the things I've been talking about with my critical writing and my own work is that these movies are seen differently in a theatrical space. It's very important to me. I edit films to be seen theatrically, like fiction material I've worked on like Listen Up Phillip or other documentaries.
I think my whole life, work has been a very important and positive thing for me. It never was something that made me feel unhappy or disengaged from life. It always makes me feel like I'm plugged in, in a really healthy way.
I just feel like, for me personally, there's just been so much election fatigue, and while I think it was very important during the election to always be on top of everything that was going on with the election via social media, I do feel like, all right, now we need a little bit of a detox. I think people need a little bit of a break from it.
It's been a long and wonderful journey for me but feels like it was just the other day when I started my career in films. I am very grateful to this wonderful Telugu cinema industry and the audience for all the love and unflinching support without which it would not have been possible.
The Catcher in the Rye had such a deep impact on me, because it felt like it was just Holden and me. I didn't feel like any other person had read that book. It felt like my secret. Writing that I identify with feels like it's just me and the writer. So I hope that whoever is reading what I do feels like that.
Most of the time I've worked with directors who write their own scripts. The story is more important to me than the part. The project of the film has always been more important to me.
I do have personal relationships with a lot of "fans," in quotations. I answer all my mail, I get emails from fans, and I try to answer them all. That's important to me, but occasionally there's the thing where people basically ask me to write book reports for them, and I don't have that kind of time. I feel like there's a certain sexism involved, like because I'm a woman I'm supposed to constantly be like giving to everybody.
I'm the type of actor that believes the director has to be in charge. I've been on sets where the actor's ego was the most important thing, and with a director that messes it up. But I don't like a dictator, I want it to be collaborative - the best idea wins. If I feel respected, and I'm going to give that back. If a director wants to try something, cool, I'll give it back. I also feel like they cast me for a reason, so I'm going to make my mark on it... let me do my thing.
I enjoy the making of the film and it's something for me to do. If nobody ever comes to my films, if people don't want to give me money to make films, that will stop me. But as long as people come all over the world and I have an audience and I have ideas for films, I will do them for as long as I enjoy the process. And I like the whole process of making a film.
Personally, I don't like to talk too much to the actors about the camera choices because I feel like the way I want them to perform is as if it feels very rooted in the real world and that I'm essentially stepping back and just watching and hoping they feel safe with me watching.
I am aware that I have been incredibly fortunate in my life to work with the people that I have worked with and pursue the projects that I have been able to do. There are so many films that I have done that I really, as a film person, as a film fan, that I like. And that is a nice place to think of a career in.
I have been so incredibly blessed, and I just feel like my calling is to be a missionary and share the gospel... The Lord's given me a platform to stand on and an audience that is listening. I feel like it's so important to share what makes me happy.
Films are subjective - what you like, what you don't like. But the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up on-screen, I want to feel that the people who made that film think it's the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they've done, I want that effort there - I want that sincerity. And when you don't feel it, that's the only time I feel like I'm wasting my time at the movies.
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